Taio Cruz continues to be generic in ‘Dynamite’ video

File:Taio Cruz - Dynamite (Official Single Cover).jpg

Taio Cruz is back – in all his leather-jacketed, shade wearing glory. After scoring a US #1 with Break Your Heart, the British R&B pop singer attempts to wow US audiences again (and the rest of the World) with new single Dynamite.

Sigh. Taio is so generic. From the pointless opening scene with him driving in on the motorbike to the concert, surrounded by hot babes straight out of Rihanna’s Shut Up And Drive video, Taio just rehases what every other American urban pop act is doing. In fact he’s pretty much copying Rihanna as I believe Justin Timberlake rides in on a motorbike in her Rehab video. I will admit though that the explosives at the end of the video really reflect the ravey nature of the song.

And the song I actually like a lot. It’s pretty much by the rulebook electropop but is lifted above averageness thanks to the genius contributions of Max Martin and Dr. Luke on writing and production credits. When the two of these are around, either alone or together, pop magic is always always ensured.

Also be aware that Jennifer Lopez may be copy and pasted into this video for a Part 2 of this single. I wonder what her contribution would be like to the song? Sound off below.

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Taio Cruz and Jennifer Lopez to team up for ‘Dyamite Part 2’

As most of you probably already know, British pop singer and conquerer of the US Charts, Taio Cruz is set to release Dynamite as the fourth European and second North American single from his sophomore album Rokstarr. Interestingly enough however, there are plans for a remix of the single which feature none other than struggling popstar herself, Jenny From The Block.

Dynamite might be generic Auto-Tuned Europop at best, taken straight from the will.i.am. handbook of how to score a hit, but naturally it’s worked as the song has already reached #8 in Canada and #14 in the US. Plus, as much as I hate to admit it, it is actually catchy in a good way.

All Headline News have the story to the impending Part 2 of the single which will feature Jennifer Lopez:

When two hot superstars collide, the result could be “Dynamite.” Taio Cruz and Jennifer Lopez are set to team up for a new music video and remix that’s sure to be fire.

It all started when Taio Cruz tweeted and then subsequently removed, “Would you guys prefer a ‘Dynamite’ video featuring just me or a version with a massive female star duetting?”

If the answer is Jennifer Lopez, then yes. Lopez, who recently killed performances at the World Music Awards and the MTV Movie Awards, became the female star in question, after some dancers leaked out the info that they were cast in a music video for Cruz and his new Island/Def Jam labelmate Lopez.

Choreographers and frequent Lopez collaborators Napoleon and Tabitha, or Nappytabs, also let out that they’re set to work on Lopez’s new video.

The track is Cruz’s single “Dynamite,” which is already #3 on iTunes behind Eminem and Katy Perry’s latest. Cruz will release a Part 2 of the already chart-busting single featuring Lopez.

Cruz is no stranger to adding Part 2s to his songs. There’s a Dirty Picture Part 2 which features on international editions of Ke$ha’s debut album Animal. There’s also a Part 2 to B.o.B. and Hayley Williams’ mega smash Airplanes which features all new verses from B.o.B. and Eminem so the Part 2 is becoming the latest trend in music as a way to disguise a remix and release a “whole new song” to the public. The opportunity for Dynamite Part 2 is both a good career move for Taio and Jen because it will grant Taio extra longevity in the US music market and grant Jen the chance to appear on a hit and get her name back out there. So are you excited about a Taio and Jennifer collaboration? Are you looking forward to Dynamite Part 2? What do you think of the original which you can watch below?

Singles Reviews Diary 13 – 30th April 2010

I’m being extra good this week and getting in what is actually my thirteenth Singles Reviews Diary (I made a misprint on my last one). Summer is here so let’s see what songs we can listen to by the BBQ this week.

Singles Reviews Diary 13 – 30th April 2010:

01. Aggro Santos featuring Kimberly Wyatt: Candy
Unknown British rapper Aggros Santos and former Pussycat Doll Kimberly Wyatt (the one with the slightly superior dancing to the others) get together for this unoriginal but surprisingly enjoyably infectious dance rap track. Generic as it may be, icy electro beats and a repetitive sexy chorus from Wyatt make this above the average club tracks were all hearing at the minute. Santos is also a pretty decent rapper, being a dead ringer for Sean Paul in looks and fast paced rapping style, although Santos has a London accent instead of a fake Jamaican one like Paul. However with the similar sounding and much more hyped
Dirty Picture being released this week also, this is unlikely to do well. This is by no means a classic but it succeeds very well in staying with the now without being irritating. 3 STARS

02. Beyoncé featuring Kanye West: Ego (Remix)
The human machine that is Beyoncé returns with the eighth single from her
I Am… Sasha Fierce LP despite not realising that everyone got bored of the era back in August after the release of Sweet Dreams. The album version of this track with Beyoncé should be a classic – old school R&B soul with classy pianos, a loud and boisterous brass section, finger snaps and flawless and sassy vocals from Beyoncé. The song sounds like it was taken from the golden era of R&B music. However, the video for the song is not so golden, more black and white Single Ladies knock off with Beyoncé wearing a dodgy wig. Worse still, Kanye West comes in “to keep the urban crowd” happy with an ill paced rap which he does in a sing-songy way while rambling on about recession and name-checking Beyoncé and Jay-Z. This modern rap sounds completely out of sync with the retro-ness of the song and hence spoils it immensely. Well, at least Kanye gets the rap out of the way at the start and the rest of the ‘should be classic’ can be listened to in peace. 4 STARS (But it would be 5 if Kanye didn’t wreck it!)

03. Biffy Clyro featuring Josh Hommes: Bubbles
I was a bit shocked to find that this was the fifth single from Biffy Clyro’s
Only Revelations album but then I remembered Mountains back in 2008 was actually the lead single from the album so I guess they’re well on their way through it. Bubbles features some extra guitar work from Josh Hommes of Queens Of The Stone Age and you can definitely tell as its one of the best tracks instrumentally on the album. Borrowing a little from Kings Of Leon, it’s nice to hear Simon Neil’s Scottish tinged verses but once the chorus hits, the song just doesn’t seem to really go anywhere. The prog rock breakdown at the end though is pretty satisfying. I would love if they release God & Satan as the next single. 3 STARS

04. Estelle featuring Kardinal Offishall: Freak
Oh Estelle! What have you done? After creating a modern classic with
American Boy, your following singles from your sophomore album Shine didn’t do so well but at least you maintained your dignity. With the lead single from her third album All Of Me, Estelle enlists David Guetta to help her jump on the dance bandwagon. The song’s main hook “I can be a freak/I can be a freak/every day of every week” is cringeworthy and irritating and overall, the song just sounds a little desperate and calculated. Props to Estelle for still managing to inject a little soul vocally into the track and the jumpy hooks in the song almost make up for it until Kardinal Offishall shows up for his pointless rap and I hate the song all over again. 2 STARS

05. Faithless: Not Going Home
You know this new single can only be bought exclusive to Tesco. For a brief second, I thought the final three words of my last sentence were actually part of the song title which had me intrigued. While the song doesn’t make any references to Tesco, Faithless show us all how good they are with another consistently strong trance track. Perfect for playing at a rave, the calmly spoken verses almost have a disturbing quality to them. Still, great song and the animated and erotic video is another one to add to the list of 2010’s Top Videos (quite a few already actually).
4 STARS

06. Foals: This Orient
I’ve heard a lot of good things about Foals but never actually took the time out to listen to them. Thanks to my writing of these Singles Reviews Diaries, I’ve actually listened to them for the first time.
This Orient being the first song I’ve heard from them shows a lot of promise. With an exciting electronic intro, the song opens with a crashing of guitars and drums while the synths continue to play quietly in the background. The song is a definite grower with a catchy yet subdued chorus. I’m going to check out some of their other songs now. 4 STARS

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I have to say that this week’s episode of Glee is probably the weakest and so are the selection of songs. Too many Broadway ballads for my liking. However with the incredibly talented Kristin Chenoweth back this week. Some of the songs are made above average thanks to her contributions. This week doesn’t have as fixed a theme as other episodes but it seems to be about feeling secure in yourself and your home.

07. Glee Cast: Fire
I’m trying to remove images of Will Schuester’s (Matthew Morrison) terrible dancing and portrayal of fake embarrassment when April (Kristin Chenoweth) starts a karaoke rendition of this song. While these two don’t have a patch on the original, their soaring rendition of Bruce Springsteen and the E-Street Band’s ‘80s hit
Fire is probably the best song in Glee this week. 4 STARS

STINKER OF THE WEEK!
08. Glee Cast: A House Is Not A Home
It’s great to see Chris Colfer as Kurt is getting more of a chance to sing this part of the season with only Cory Monteith’s Finn joining in towards the end. It’s probably not so great though if he’s given drippy and cheesy ballads, this one being a 1964 song by Dionne Warwick. Their version is solid but I found myself fast forwarding at Kurt’s cringeworthy longing looks at the permanently confused looking Finn.
2 STARS

09. Glee Cast: One Less Bell To Answer/A House Is Not A Home
This week’s mash-up is just plain lazy because one of the songs in the mash-up was already used in the episode, just before this song in fact. The other song was originally sung by The 5th Element. Credit needs to go to Matthew Morrison and Kristin Chenoweth for doing the best job they could with the rather boring mash-up, especially Chenoweth whose powerful Broadway vocals have a classic, old movie style sound to them.
2.5 STARS

10. Glee Cast: Beautiful
This is the song that’s likely to chart this week. Covering Christina Aguilera’s soppy modern classic is obviously the only singer close enough to rival Aguilera’s powerhouse vocals is Amber Riley (Mercedes). Her rendition is very good and on-par with the original but I could never really stand the song apart from its catchiness.
3.5 STARS

11. Glee Cast: Home
The closing numbers from the last two episodes have been extremely satisfying but this track is another boring but well sung Broadway ballad with lead vocals by April from the musical
The Wiz. I found myself drifting away from the song and verbally abusing the TV by telling Will to man up when the overly sentimental teacher began crying again during a performance. 2 STARS

12. Grace Jones: Love You To Life
Lady GaGa’s biggest fan makes a return to the industry with this new single. The track’s production is sparse and haunting yet it still sounds sort of like it belongs on a soundtrack to James Bond with its soulful chorus. Jones’ voice sounds as distinctive and poetic as ever. A fine return for Miss Jones that should keep her fans happy.
4 STARS

13. Hole: Skinny Little Bitch
I do love Hole and Courtney Love. Combining the sound of the Smashing Pumpkins, Joan Jett and Nirvana, Courtney Love’s tobacco edged vocals are the standout point of what is probably the angriest and grungiest moment on Hole’s consistent new album
Nobody’s Daughter. If you’re like me and love the 1990s grunge sound, then you will adore this. But in all honesty, this is probably one of the weakest songs on the album and it’s strange that this was chosen as lead single over the much more commercialSamantha. Bring on Pacific Coast Highway. 3.5 STARS

14. John O’Connor and Audrey Trainor: Falling Up
This is reminiscent of the Waterboys in that it has a very folky sound with a particular emphasis on the violin played by Trainor. O’Connor sings the track in a way that you almost want to chant along with despite its mid-tempo setting. I’ll have to check out more of his stuff.
4 STARS

15. M.I.A.: Born Free
After the surprise commercial success and mainstream attention of M.I.A.’s
Paper Planes, this track, a buzz single from M.I.A.’s as of yet untitled third album has divided fans and critics. Well this critic (humble old Randy) thinks the new M.I.A. is fast paced, intriguing and a good indication for the album ahead. Casual M.I.A. fans probably won’t like this but those who have been following her since her Arular days should enjoy this jarring track, made all the more so by the disturbing video. Now bring on the first official single XXXO, M.I.A.! 3.5 STARS

16. Mika: Kick Ass (We Are Young)
I actually have to say Mika kind of does kick ass on this song because I don’t hate it like I hate every other Mika single that followed
Love Today. And it’s not the RedOne effect that has made this song great because I’m definitely starting to hear him recycle his beats but rather Mika’s powerful, euphoric and anthemic chorus which really sticks in the head like bubblegum. A great return to form for Mika although I do feel his falsetto may get on my nerves after more listens. Hopefully, this will see Mika’s return to the charts although I doubt it. 4.5 STARS

TRACK OF THE WEEK!
17. Moby featuring Kelly Scarr: Wait For Me
The incredibly versatile Moby releases
Wait For Me, an ambient yet affecting track from his album of the same name. Kelly Scarr’s vocals are haunting and beautiful and Moby has designed the perfect backdrop for those fantastic vocals, really setting up a dramatic and atmospheric concept. In an ideal World, this would be a modern classic. 5 STARS

18. Ocean Colour Scene: Saturday
Starting off with the sound of cawing seagulls, the underrated but fantastic Ocean Colour Scene release the first perfect song of the Summer. The song manages to be high energy and chilled out at the same time with a big booming chorus, this perfect for that beach BBQ. This just about missed out on being rewarded Track Of The Week.
5 STARS

19. Pendulum: Watercolour
Pendulum are back! My excitement has waned slightly though as this doesn’t live up to my expectations and I know there capable of much greater. I wouldn’t give it 2 stars like the Big Mac did but Pendulum have released better songs than this. However, with a little drop of angst and racing, fast paced synths… the song still shows why Pendulum are regarded as one of Australia’s greatest bands. The drum and bass on this track has been toned down a lot on this from their earlier stuff though.
3 STARS

20. Sophie Ellis-Bextor: Bittersweet
Sophie Ellis Bextor is also back but don’t expect me to cheer. I like her but nearly all her songs sound the same – classy yet icy electropop. As some other ChartBlog commenter stated (can’t remember which one) – the verses on this are fantastic but the chorus is sadly lacking. Not good for a pop song and I’m getting tired of the ‘80s sound. Still I’ll forgive Sophie because this in the hands of someone else could have been disastrous.
3 STARS

21. Taio Cruz featuring Ke$ha: Dirty Picture
I really wanted to bomb this because this song is pure and utter trash – complete tripe!!! But I was in a nightclub last night and this came on and it just sounded fantastic to my slightly (very!) intoxicated ears. Cheap and sleazy (like a drunk person) – this song is designed for the nightclubs and does very well at that. Ke$ha really stands out here as her voice really fits the production of the song (her version of this track is far superior to this one) yet Taio bores me to death. We all know you’re not as bad as you say, Cruz. So yeah, this song is the ultimate classic when you’ve downed a few too many vodka and Red Bulls (I’m going to vomit) but is terrible otherwise. So I’m going to give it a safe old in between rating of…
3 STARS

22. Toni Braxton featuring Trey Songz: Yesterday
The original Queen of R&B and R&B newbie Toni Braxton and Trey Songz team up for this R&B power ballad. Generic is a word I throw about a lot but this R&B song isn’t exactly that. It’s more anonymous. A genuinely good power ballad, this could just have easily have been sang by Beyoncé and Chris Brown and no-one would have told the difference. Still decent R&B filler to make up a versatile iPod playlist.
3 STARS

23. Train: Hey Soul Sister
Having hit the Number 1 spot in the US and Australia and even making Number 2 in Ireland before its release, it baffles me that this song isn’t doing better across the pond in the UK. Because
Hey Soul Sister is the most catchiest radio friendly record to come out in a long time. Against a slightly folky backdrop, Patrick Monahan, the lead singer, uses his powerful voice to sing out this romantic and cheery ballad. Even though I find it strange that you’d metaphorically call your love interest your sister. Kind of creepy. All creepiness aside, this song is fantastic. Come on, Britain, get buying! 4.5 STARS

24. Two Door Cinema Club: Something Good Can Work
Woah! Woah! Woah! Am I listening to The Kooks or Franz Ferdinand when they were in their prime. Despite their unoriginality, Two Door Cinema Club have created a fantastic indie pop chorus here. Full of bouncy, cheery guitar riffs, a Kook-esque chorus and a melody you want to clap along to, this is another pefect tune for your Summer playlist.
4 STARS

25. Vampire Weekend: Giving Up The Gun
This has rather annoying been cancelled as a single despite good radio and music channel airplay,
Giving Up The Gun is a fantastic percussion heavy track with loads of twinkling synths and World effects towards the end. The song doesn’t have any real chorus but remains incredibly likeable and listenable probably because of the fantastic band and Ezra Koenig’s soft vocals. Check out the fantastic video which features cameos from Jake Gyllenhall, Joe Jonas and Daft Punk. 4 STARS

Phew! That took ages but I really enjoyed writing that edition of my Singles Reviews Diary. As usual, I want your thoughts on what’s good and what’s not as well as what you thought of the Singles Reviews Diary as a whole.

Singles Reviews Diary 9 – 2nd April 2010

It’s the Good Friday edition of my Singles Reviews Diary! After two poor weeks for singles, things are looking up this week with 32 singles – most of them good. Most of them okay. In fact, it was very difficult to pick a stinker this week but I did!

Singles Reviews Diary 9 – 5th April 2010:

01. Amerie: Heard ‘Em All
Amerie hit the big time with the infectious and funky hit single
1 Thing back in 2005 but ever since she’s faded away into obscurity. She’s now back with new single Heard ‘Em All. So does it tick the right boxes? Well yes. It has a reasonably catchy chorus. It has a great, drum heavy production thanks to hit producer Sean Garret. It has some World music effects that are all the rage at the minute. It has a dark yet raunchy video with some hot choreography. But what is she doing different from Beyoncé, Rihanna, Ciara et al. Nothing really. And that’s where Amerie and this song fall down. The song is listenable and fun but nothing very original about it at all. 3 STARS

02. Beach House: Zebra
A beautiful and dreamy torch song from the US band. I agree with Harry however, this song is tends to go on too long and can’t keep the momentum going for its 4 minute 52 second length. Nice background music though.
3.5 STARS

03. Ben Montague: Haunted
A schmaltzy and clichéd pop ballad about love and heartbreak. Housewives and adult contemporary radio will love the powerful voiced Montague on this song but this could just as easily have been sang by James Morrison, Robbie Williams or any of the Take That members and nobody would tell the difference.
2.5 STARS

04. Clipse featuring Pharrell: I’m Good
A breezy Summery tune from rap duo Clipse. Produced by the Neptunes and featuring Pharrell, this sounds like something that would have ruled the charts back at the start of the 2000s but probably wouldn’t do so well now as it doesn’t have the Europop effect. Still, not a bad driving song at all. Something to put you in a Summery mood despite the lack of originality.
3 STARS

TRACK OF THE WEEK!
05. Codeine Velvet Club: Vanity Kills
Jon Lawler of The Fratellis teams up with Scottish chanteuse Lou Hickey for this ambitious side project as new band Codeine Velvet Club. This song is just fantastic and I hope it gets the airplay it deserves as it gets the re-release treatment. One side of a double A-side single, this is a big band jazzy number with Jon and Lou’s vocals complimenting each other perfectly. Could easily be chosen for the next James Bond soundtrack.
5 STARS

06. Codeine Velvet Club: Little Sister
Wow, now this shows that the band is versatile.
Vanity Kills might have been a big jazzy number but this track is more old school rock ‘n’ roll with Jon and Lou’s vocals complimenting each other brilliantly once again. The album which this song is taken from Codeine Velvet Club was released back at the end of last year and I’m surprised I’ve only heard of these guys now. Here’s hoping this time round, they get some recognition. 4.5 STARS

07. Coheed & Cambria: The Broken
Coheed & Cambria are back with a teaser single from their new album
Year Of The Black Rainbow. Heavy and atmospheric, this prog rock isn’t a million miles away from 30 Seconds To Mars This Is War although lacking in the mainstream chorus department. A fairly decent indication of what’s to come but it doesn’t particularly excite me either. 3 STARS

08. David Guetta featuring Kid Cudi: Memories
Finally David Guetta releases the standout song from his
One Love album. Amongst a ‘90s sounding piano backing, Kid Cudi dispenses his vocals in a mellow, almost bored way. But it works and fits well with the tone of the song. And I think we can all relate to the lyrics. Trust me, boy racers will love this song as they’re driving around in their souped up Puntos, but that’s not to say the rest of us can’t enjoy it to. Manages to find that neat balance between being danceable and being a chilled out holiday tune. 4 STARS

09. Delirious?: History
How random is it that Facebook are now controlling the release of songs these days. AHHHH! The Internet is taking over the World. Seeing as Easter is the most important holiday in the Christian calendar, it’s only fitting that a Christian rock band knocks that she-devil Lady GaGa off the top spot for Easter Sunday! I quite like the song, it has an inspirational message and tone and as Harry quite rightly pointed out, it does sound a bit like U2. Its not exactly doing anything new but its something different from the usual crop of songs infiltrating the radio at the minute.
3.5 STARS

10. Doves: Andalucia
The Doves show they’ve still got it with this very enjoyable new single from their first Greatest Hits album
The Places Between: The Best Of Doves. The song is a real grower mainly thanks to Jimi Goodwin’s trademark moody vocals. That’s not to say the song is moody, it has upbeat instrumentation and some great subtle backing vocals on the chorus that add an extra element to the song. Doves fans will not be disappointed. 4 STARS

11. Flyleaf: Missing
I’ve also wondered why Flyleaf weren’t more successful. They have an attractive and talented female lead singer and despite being part of the ‘alternative metal’ category always have songs drenched with catchy vocal and instrumental hooks. It’s probably because, on this song especially, Flyleaf don’t sound all that different from the more successful Paramore. Strong angst ridden vocals. Check. Upbeat instrumentation that sounds like a combination between any punk pop song out there and Evanescence. Check. On
Missing, Flyleaf have everything Paramore have had on their previous singles but because Paramore became successful first, its almost like they’ve put up a road block to the mainstream and no-one else of their style can get through. Still this is a pretty catchy tune but doesn’t sound remarkably original. 3 STARS

12. Heathers: Remember When
The movie
Heathers seems to strike a cord with twin sisters. It was the inspiration behind Aussie twins The Veronicas and also seems to be the inspiration behind the bandname for these Irish twins. Remember When is seriously catchy, the folky chorus will stick in your brain like bubblegum on first listen. Not sure if I care for the sisters’ singing style but why should that matter when you can’t get their damn voices out of you’re head. 3.5 STARS

13. John O’Callaghan featuring Sarah Howells: Find Yourself
This song has been around in Ireland for ages, booming out of every nightclub and it finally gets its release in the UK this week. Again, there is nothing original about this song at all. This trance song has a big chance of becoming a hit though because of the infectious bridge chorus by singer Sarah Howell who sounds like a Celtic Cascada on this track. I have to admit this is a guilty pleasure of mine. Better than Inna’s
Hot by a long shot anyway. 3 STARS

14. Joshua Radin: I’d Rather Be With You
A soft and breezy song by the American singer-songwriter. Sounds pretty much exactly like Jason Mraz with the laidback vocals and warm, cushy melody. Basically, it sounds so eerily like a Jason Mraz song that I’m retitling this song
I’m Yours 2010. Nice listen but horribly unoriginal. 2.5 STARS

15. The Joy Formidable: Popinjay
This song is a good one to bob the head along to. It’s not doing anything from its indie peers but with some catchy guitar riffs, subtle synths and a kind of trippy animated video, its not bad at all.
3 STARS

16. Kanye West: Coldest Winter
Who knew that Kanye was still promoting his
808s & Heartbreak album. After much critical acclaim for the album and a Top 5 hit in Love Lockdown, the whole project seemed to go downhill after some poor charting singles and his disastrous appearance at the VMAs. But no Kanye is still pushing on. Coldest Winter basically epitomises the whole 808s & Heartbreak album. It’s cold, it’s bleak, and it’s sparse. It’s got tribal drumming and not much else as Kanye whines in Auto-Tune over the loss of his mother shortly before the album was released. Despite the use of Auto-Tune, West manages to show plenty of vulnerability on this track which probably shows why he’s one of the best rappers in the game at the moment. This isn’t as immediately arresting as Strongeror Gold Digger but it’s another solid entry into the Kanye catalogue all the same. We forgive you, Mr. West. 3.5 STARS

17. Lawrence Arabia: Apple Pie Bed
Check out the video for this, its amazing LOL! This song seems to have what I call the Mika Complex. It’s both irritating and catchy in equal measure, while New Zealander Lawrence Arabia (great name!) is certainly more alternative than the colourful poppy Mika, the chorus has that whole annoying falsetto going on the whole way through. I’m not going to come down to hard on Mika…I mean Lawrence…though ‘cause he’s intrigued me into listening to his other stuff. So a good effort for a first single.
3 STARS

18. MGMT: Flash Delirium
The super hip MGMT return with this teaser from their new album
Congratulations. While not exactly as infectious as Kids, this experimental song is a grower and like Lawrence Arabia above has an amazing video that would rival Lady GaGa’s Telephone if only it would get as much airplay. 3.5 STARS

19. OneRepublic: Secrets
Soaring strings and heavy drum beats. Yep, its another Ryan Tedder production. This man fails to show any originality at all. This is another soaring arena rock ballad with a giant chorus. It’s not particularly bad and its extremely catchy but shake things up a bit, Ryan, because people are getting tired off you. Thankfully, Ryan’s production doesn’t sound as recycled with OneRepublic but if he gave this backing track to another solo female artist, I wouldn’t be as kind with my rating.
2.5 STARS

20. Paramore: The Only Exception
When I bought Paramore’s album
Brand New Eyes back in September, this was a track that I skipped over a lot because I prefer uptempo Paramore as opposed to gooey romantic Paramore. And while this song is all gooey and romantic and would have been a perfect Valentine’s Day single, it actually shows a different side to the band. This is the first soft rock ballad that Paramore have released in their five years on the scene and lead singer Hayley Williams shows plenty of vulnerability on the song, using a much softer range than we’re used to hearing from her with the four guys complimenting her well. Hayley brings up her parents divorce on the acoustic laden track and as the pitch in her voice and the drumbeats increase on the climax of the song, there’s a definite sense of power towards the end. It’s not quite as good as previous singles Ignoranceand Brick By Boring Brick but it definitely sounds more commercial so here’s hoping it shoots up the charts. 3.5 STARS

21. Plasticines: Another Kiss
Loving this one from the French all girl rock band. Has that 1990s rock sound that I’m really loving at the moment. Unlikely to be a hit over here but that doesn’t decrease its brilliance.
4 STARS

STINKER OF THE WEEK!
22. Polluted Mindz featuring Master Shortie: Daydream
Finally I found myself a Stinker of the Week! This is like someone collided Akon and Sidney Samson together. If that sounds good to you well I’m pretty sure that Polluted Mindz has basically plagurised the highly recognisable synth breakdown of
Riverside (Let’s Go!). Expect to see Polluted Mindz in court very soon. 1.5 STARS

23. R. Kelly: Be My #2
Ever since R. Kelly was charged with paedophilia , he’s failed to gain a hit since. I don’t know whether Mr. Kelly is actually a pervert or not but he’s certainly producing some of his best work yet. Amongst a funky dance backing, R. Kelly croons out with that smooth mellow R&B voice which has fast become my guilty pleasure. Not as good as last year’s duet
Number One with Keri Hilson but pleasant enough all the same. 3 STARS

24. Sabrina Washington: OMG
Much like her former bandmate Alesha Dixon, this lead single from Sabrina Washington’s new album is irritating beyond belief…just like
The Boy Does Nothing, the lead single from Alesha’s album was irritating beyond belief! Where as The Boy Does Nothing was just irritating because it sounded like a novelty tune along the lines of Mambo No. 5,OMG is just plain annoying because its absolutely drowned in Auto-Tune and Sabrina’s attempts to get down with the kids by using MSN speak is just embarrassing. That said, however, I still think Sabrina has potential as a pop star beyond this single and Alesha surprised me her follow-ups so I won’t knock this too bad. At least the production sounds good. 2 STARS

25. Slash featuring Andrew Stockdale: By The Sword
Slash, the essence of Guns ‘N’ Roses and current guitarist with Velvet Revolver, returns with this new single from his eponymous debut solo album. With Andrew Stockdale, the lead singer from Wolfmother, on vocal duties, this is a fantastic classic sounding blues rock sound. I think I can even hear a little bit of a Led Zeppelin influence in there. Very excited about the new album now.
5 STARS

26. The Twilight Sad: The Room
I have to agree with Spirit on this one. This is the song to listen to when you’re feeling sad and lonely and realise that you’re not the only person in the World that feels this way. The aching piano melody combine beautifully in a mournful way with James Graham’s thick yet vulnerable sounding Scottish accent on this terrific new single from their second album
Forget The Night Ahead. 5 STARS

27. Taio Cruz featuring Ludacris: Break Your Heart
After successfully shooting to Number 1 and breaking records in the US with this updated version of last year’s UK number one hit, this video should be appearing on the music channels at this time. Naturally Ludacris’ rap was simply put into the song to appeal to the US market but where as guest raps generally feel phoned in, Ludacris’ rap flows well with the song. As for the rest of the song, well my mind hasn’t changed from last time, its as catchy as swine flu but so generic and once this electro craze ends, the song will be forgotten about completely.
3 STARS.

28. Taylor Swift: Fearless
Ahead of the official release of the boring and uninspiring
Today Was A Fairytale, Taylor releases this for promotional purposes. While many of Swift’s songs have been watered down into pure pop songs for the UK market, this one retains some of its country roots. It’s not exactly a masterpiece but Fearless has a pretty decent chorus and message which bears closer to the hit You Belong With Me than the hot mess that was Fifteen. It’s unlikely to be a hit but I can’t help this song from Taylor Swift. 3 STARS

29. Wallis Bird: LaLaLand
The normally folky singer songwriter sounds like P!nk on the verses of this re-released single from her sophomore album
New Boots. The chorus is reasonably catchy but lyrically Wallis goes down the same old path by sending forth the message that she’s real and shuns the Hollywood lifestyle. Okay. 3 STARS

30. We Are Scientists: Rules Don’t Stop
We Are Scientists are back with new single
Rules Don’t Stop from forthcoming albumBarbara. This is a really strong comeback single. Instantly catchy and likeable. A must have for the singles you’re sure to download after reading this post. 🙂 4 STARS

31. Whitney Houston: Nothin’ But Love
People may say that Whitney’s voice may not be what is used to be but thanks to a little studio magic, Whitney’s strong and husky voice sounds as good as ever. To coincide with her upcoming tour of the same name,
Nothin’ But The Love is a synthy mid-tempo that sounds classy but in no way’s dated. I’m actually surprised by how much I like this one from Whitney who has impressed me since her comeback a few months ago. 4 STARS

P.S. ChartBlog favourites Sean Kingston and Justin Bieber officially release new singleEenie Meenie this week.