Jay Sean and Nicki Minaj are gonna party like it’s the end of the World. Not too long with music like this!

Jay Sean recently premiered the lead single 2012 from his upcoming album, due out this November. Sean is still striking while the iron is hot and quickly churning out another album before irrelevancy kicks in!

Now I know it’s great to see Jay Sean and his other British breakthrough Taio Cruz do so well in the US but I find it hard to bear any goodwill towards the guys when they’ve simply sold their souls for tons of cash and attention in recording formulaic pop songs with no imagination, clichéd lyrics and egotistical shout-outs to their label or producer. This is the formula Jay has been following for this single and previous two US hits Down and Do You Remember – lyrics about “going to the club and forgetting your troubles”, a woaahhh-oooh hook, a big inspirational chorus and a feature by some rent-a-rapper that whores themselves all over songs with irrelevant raps. First it was Lil’ Wayne, then it was Sean Paul and Lil’ Jon and now its latest ‘it’ girl Nicki Minaj.

The reason I’m so mad with Jay Sean and Taio Cruz and what I call their ‘conveyor belt pop’ is that these bland shallow songs will climb right up the charts while far more creative songs will be permitted to flop. Now I’m no music snob and love  a good club anthem as much as the next person but when Sean and Cruz release the same track over and over again with no signs of innovation, you can really tell that they don’t care as long as they bring in that moolah! Complete fad artists! I hope this flops…spectacularly…and gives Jay Sean the wake-up call he so badly needs.

Oh, here’s a behind the scenes look at the video which looks like a formulaic pop/R&B video but Jay promises it will have some “cool effects”. I can barely contain myself with the excitement…it will be released 8th August.


Natasha Bedingfield reveals ‘Touch’ music video

Another day reveals another music video and Natasha Bedingfield has just released one to accompany her new single Touch. The song will be the first single from her fourth studio album, the whoreishly titled Strip Me which has no fixed release date yet but should be out by the end of the year.

Directed by Rich Lee, who filmed one of the best music videos of the year with Black Eyed Peas Imma Be Rockin’ That Body. Sadly he does not repeat that feat with this video which is a by-the-numbers performance video with some grainy film footage intercut of people enjoying life. I guess he tried to match the lyrical content of the song with showing everyone being connected in some way but it could have been executed better. To me it looks rushed which is no excuse as the single has been out since May in the US.

The song is quintessential Natasha. Even though it has conformed to the current dance/electropop trends, it has an upbeat, sunny melody with inspirational vocals that only Natasha seems able to pull off. Natasha hasn’t been very relevant in the UK since 2007 with her last single, the gimmicky I Want To Have Your Babies but has enjoyed considerable success with her follow-up singles in the USA as they adopted Natasha into their ranks, quite an achievement when you consider how difficult it is to break into the notorious US market, unless you’ve got Simon Cowell behind you or make bland, dumb dance pop like Jay Sean and Taio Cruz are doing at the moment. However, this single has been out since May as stated above, and Bedingfield’s promotion techniques have been a bit all over the place. Considering that Katy Perry is to release her new album in August as well as some new music from Britney Spears, Kelly Clarkson, Avril Lavigne and Rihanna before the year is out, could Natasha fade away into obscurity like her brother Daniel? With Christina Aguilera’s Bionic failing miserably thanks to shoddy promotion, it’s quite likely that Natasha could meet the same fate.

Or maybe I’m just being too pessimistic? What do you think?

Robyn wants you to ‘Hang With Me’…I mean her…in new video

A few days after releasing the danced up new single Hang With Me from Body Talk Pt.2, Robyn has unveiled the music video to accompany that very song. For the vulnerable dance ballad, something of a forté for Robyn recently, the clip is made up of tour footage.

Now I know I bitched and whined about Paramore’s Careful video being the exact same thing but as far as I recall this is Robyn’s first tour video as opposed to her third and it suits the lyrical content of being able to hang with her on tour as opposed to Paramore joking about on camera when the song was about paranoia.

Plus since Robyn is not a part of a band, some shots manage to depict her as a lonely sort of oddball which makes you want to hug her as well as suiting the vulnerable nature of the song. Plus its much better edited.

Apologies, I didn’t mean to make this a Robyn vs. Paramore post because as anyone who knows me will tell you that I’m a big Paramore fan and love all their songs but Robyn has quite frankly grown on me a lot recently. I’m finally starting to see the hype!

Check out the video below.

Eminem continues chart reign Down Under

Eminem has pretty much established himself as King again, managing to stay atop both the Australian Singles and Album Charts with his single Love The Way You Lie featuring Rihanna and his album Recovery.

Other than that it’s same old same old with the Australian chart. They sure do love their mindless Pitbull featured electropop though with Enrique I Like It at #2 and Usher at #10 with brand new single DJ Got Us Fallin’ In Love. They’ve clearly got taste though too with Adam Lambert’s third single, the fantastic follow-up to Whataya Want From Me, If I Had You. The only new entries to the chart are Australian singer Mike Paynter and Jason Derulo’s new single What If. What does surprise me is how easily a lot of British artists seem to have cracked the Australian market? Is it that easy? Hell, Professor Green was unknown six months ago and himself and Lily have debuted at #49 on the chart. Alexandra Burke and (sigh) Pitbull have re-entered at #50 while scouting (geddit?) higher up the chart at #29 is Scouting For Girls and This Ain’t A Love Song which peaked at #19. Strange, I thought Oz would be the second most difficult market to crack after the US but obviously not.

There’s not a lot to say about the album charts really, the Top 10 is made up of Em, Glee, Enrique, Kylie, Justin, Florence, Train and homemade sibling band, the talented  Angus And Julia Stone. Clearly I’m too lazy to write out full names of bands and artists.

Thanks to MTV for the image.

For more info, check out the ARIA website.

Novelty tune ‘We No Speak Americano’ tops the UK Chart


The Aussies have taken over the UK Chart in the form of Yolanda Be Cool and D-Cup (honestly who names these guys) with their novelty dance track We No Speak Americano, this month’s answer to Riverside (Let’s Go). I’m not going to even comment on this because novelty tunes go as quickly as they came and like most gimmicky music, I am not a fan. Apart from this, the UK Singles Chart is boringly static. The highest new entries into the chart are Usher and Pitbull’s DJ Got Us Fallin’ In Love and Basshunter’s Saturday. Expect the former to be absolutely huge, in an OMG vein.

The public have realised that 30 Seconds To Mars have a brilliant new single out with Closer To The Edge wihich moves up twenty-four places from #78 to #54. I’m also delighted to report that the Brits don’t think much of Jedward’s new piece of shit which stalls at #80 but less impressed that Adam Lambert Whataya Want From Me is nowhere to be seen on the chart and that the best single of the year has slipped down to #100. I encourage people to follow the Unreality Shout campaign to get Lambert into the UK Chart even if your not from the UK (like myself).

Over on the Albums Chart, Eminem remains supreme at the top with stellar comeback album Recovery (which I plan on reviewing sometime) but being closely followed by young  British and fellow white rapper Professor Green and his new LP Alive Till I’m Dead. Earth, Wind & Fire also sail in at #9 with their The Greatest Hits record. 3OH!3 do annoyingly well on the chart with their sophomore album Streets Of Gold coming in at #19 followed by RPA & The United Nations Of Sound coming in at #20 with their self titled debut. Sheryl Crow’s no doubt great new record 100 Miles From Memphis is #34 while Greatest Hits albums by Guns ‘N’ Roses and Billy Joel leap right back into the Top 100 again. Wonder what prompted the re-interest in these artists?

Check out the full UK chart here.

Linkin Park reveal ‘A Thousand Suns’ album artwork and tracklisting


Nu-metal band Linkin Park have revealed the cover art for their fourth studio album A Thousand Suns, which is set for a release date of 13th September. They’ve also released the tracklisting which will be produced by Minutes To Midnight producer Rick Rubin and band MC and guitarist Mike Shinoda. All songs and music will be written by the band. Check it out below.

  1. The Requiem
  2. The Radiance
  3. Burning In The Skies
  4. Empty Spaces
  5. When They Come To Me
  6. Robot Boy
  7. Jornada Del Muerto
  8. Waiting For The End
  9. Blackout
  10. Wretches And Kings
  11. Wisdom, Justice And Love
  12. Iridescent
  13. Fallout
  14. The Catalyst
  15. The Messenger

The Catalyst will be the first single from the album and will be released on 2nd August. I really like the blurry album cover which is noticeably missing any front cover text, much like Katy Perry’s upcoming Teenage Dream. Well, not really because Katy Perry’s Teenage Dream will be packaged like this –

for its digital release and in some countries. The text doesn’t really bode well with the album art if you ask me but I digress.

What do you think Linkin Park’s new album will sound like?

Leona Lewis to re-release ‘Echo’. Talk about flogging a dead horse!

News has emerged that former X-Factor winner Leona Lewis is planning to re-release her sophomore album Echo before Christmas. According to The Mirror, the singer is working with producer Dallas Austin (Gwen StefaniCool, SugababesUgly) on tracks for a deluxe edition album of the album which will be packaged with her UK and Ireland Labyrinth Tour DVD.

The singer has had a bit of a tough time of late. Not only has Echo been met with the dreaded sophomore slump but Lewis was also recently punched in the face by a psychopath at a book signing and has just split with her childhood sweetheart of 10 years, Lou Al-Chaama. To add to all this grief, Leona had bagged herself a support slot on Christina Aguilera’s tour to promote Bionic but Christina postponed the tour indefinitely, which could either be due to having to promote for her upcoming musical movie Burlesque or poor ticket sales. Leona now no longer plans on taking her Labyrinth Tour outside the UK and Ireland as she wants to be close to family and friends at this lonely time.

I think re-releasing Echo is a baaad idea. First of all, she doesn’t want to become the Queen Of Re-Releases, having already re-released her debut album Spirit. Second of all, unlike Spirit, which spawned the mega hits Bleeding Love, Better In Time and Run, Lewis has failed to make much of an impact this time around. Okay, so she earned herself a #2 with Happy but that slid down the charts, quicker than you can say Eoghan Quigg and only reached that height because of her performance on The X-Factor. The second single from the project I Got You made the Top 20 but had also flopped by the next week. I’m not even sure if most people realised she released another single after Happy. What Leona should do is release the generic crowd friendly dance of Outta My Head and fully concentrate on her third album, which she is also working on.

Apparently, Simon Cowell has set a deadline that the album be released by next Summer so that she can take hold of some much needed promotion in the US when Simon invites her onto the US version of The X-Factor, which should be up and running by next year. If Le ditches the re-release, her and her team will have much more time to figure out a better way to market her sound and get those creative juices flowing.

What do you think?