Single Reviews Diary 23 – 9th July 2010

I know I’m actually incredibly late with this diary and should rightfully be publishing the 24th rather than the 23rd but I’m busy, y’know! This week is actually quite a great week for singles. Singles 01-12 on this list are all fantastic tunes, only ruined by Kate Nash who starts a short trend of bad tunes, making 13-15 pretty much unbearable. However, Mark Ronson then glides into save the day with Singles 16-19 being pretty good until we meet Professor Green who starts a trend of average tunes with singles 20-24. So yeah – the singles go from fantastic, bad, good, average. As usual I want comments and feedback etc. etc. Read my reviews below.

Single Reviews Diary 23 – 9th July 2010:

01. Alan Pownall: Colourful Day


After Britain’s last hyped up male pop singer Alex Gardner underwhelmed commercial audiences, could the newest hyped up British male pop artist fill that gap? I sadly think not. London singer songwriter Alan Pownall releases his second single from his debut EP
True Love Stories, a pristine pop ballad that’s sung with rich vocals well beyond his 25 years. The vocals and string and guitar based production showcase much emotion. This is one great pop ballad to listen to this Summer. Emotion packed, yes! But relaxing enough to play outside in the back garden whilst sunbathing. However, this track will likely not do so well because Pownall lacks anything that truly stands out about him from his average Joe name to the genre of music he’s doing. Still, a hidden gem if you do come across it. 4 STARS

02. Avenged Sevenfold: Nightmare

Avenged Sevenfold - Nightmare
Angsty rock/metal band Avenged Sevenfold are back with their recent US Top 60 hit
Nightmare. The lead single from their fifth album of the same name starts off intriguing with dreamy chimes before crashing into the trademark metal, crunching guitars, deafening drum beats and harsh vocals from lead singer M. Shadows. There’s novelty evil laugh effects and a pop hook hidden in amongst all the heavy instrumentation too which probably explains its high-ish charting position on the mainly rock-less US Billboard Chart. Apart from the expletive word shouted before the title of the track, I find certain parts of this song hard to get out of my head. Well done Avenged Sevenfold on a terrific comeback! 4 STARS

03. Crystal Castles: Celstica

Crystal Castles - Celestica
Canadian duo Crystal Castles present us with this obscure piece of trancey electronica. Atmospheric and ethereal, this proves to be just as good to dance to when ]on a night out in the town. This has a real retro ‘90s Eurotrance sound to it with a mournful, religious, more organic undertone to it. What’s not to love about it?! I feel like I possibly say this every week but one of the best dance tracks of the year!
5 STARS

04. Crystal Fighters: In The Summer


Much like their similar namesake Crystal Castles, Spanish quintet Crystal Fighters make similarly brilliant alternative dance tracks. This has pretty chirpy vocals amongst retro video game type synths and basque instruments. I’m sure I heard some flutes in amongst the drum machines and electronics there. A delightful hipster track, these guys remind me a lot of MGMT and they need to find away to break through to the mainstream.
4.5 STARS

05. Darwin Deez: Up In The Clouds

Darwin Deez - Up In The Clouds
Quirky singer Darwin Deez really impressed me with his last single
Radar Detector and he’s managed to do it again! Amongst Summery, jangly guitars and happy finger snaps, this is yet another fun track for the hot weather ahead. The song falls into the quirky category more than the commercial category and it’s not near as catchy as his previous single but this is still a fun track to listen to when you’re feeling down. 3.5 STARS

06. Esmée Denters featuring Justin Timberlake: Love Dealer

Esmée Denters / Justin Timberlake - Love Dealer (Featuring Justin Timberlake)
Dutch songbird Esmée Denters might be pretty and have a great voice but major pop success has eluded her so far. Is getting her mentor Justin Timberlake a cynical ploy to score a hit? Maybe so. Justin barely deserves a credit on this song, all he does is mumble seductively over the backing track to drive the ladies crazy and add his shining star power. He did a similar thing on Rihanna’s
Rehab last year, uttering only about two words and enjoying a full feature credit when the ladies who do most of the work on new tracks by Basshunter and Dan Bãlan barely get a mention at all. Anyways, I digress. Love Dealer is really refreshing, it really is! Not only is it sunny with a killer melody but it ditches the current dance craze for the more funky edged, Timba-pop that preceded the current trend. Sure it’s in no way original, the lyrics are just begging to be parodied and Esmée lacks the vocal sex appeal of her contemporaries but this is a likeable, light track with some great vocals from Esmée, slick yet giddy production from Timberlake and an overall sense of fun that’s missing in a lot of today’s pop songs. This deserves its inevitable hit status. 3.5 STARS

07. Fight Like Apes: Hoo Ha Henry


The much hyped Irish band (as hyped as Irish artists can get anyway with our crappy promotion techniques in music) have returned with the first single from their as of yet untitled second album. It’s a nice return for the band with lead singer MayKay in top form singing over a bouncy keyboard riff before breaking into a restrained yet still somehow angry chorus while the production remains the same the whole way through. The lyrics are also quintessentially Irish too with lines such as “drinking cans in bed” and namechecking MayKay’s unfortunate love interest’s friends with names like Tagdh. Should keep FLA fans happy and gain them some new ones too.
4 STARS

08. I Blame Coco: Self Machine

I Blame Coco - Selfmachine
Sting’s daughter Coco has to live up to her famous dad’s name and prove to music fans that she’s not a spoiled little brat who just wants to cash in on Daddy’s fame. Well, she’s doing things right so far. Setting up her own band and going for an alternative yet still engaging sound, Coco proves herself as having the talent to back up to her famous family connection. Amongst dizzying synths, Coco’s distinctive vocals are the real ear-snagging part of this song. I’m not quite as bowled over by this track has some others. The vocal distortions are overused and unnecessary and I really don’t think this song sounds immensely different from a lot of other tracks out there but what it does show is promise and I eagerly await Ms. Sumner’s next single,
Quicker. 3.5 STARS

09. Jamie Foxx featuring Justin Timberlake and T.I.: Winner

Jamie Foxx featuring Justin Timberlake & T.I. - Winner
Oscar winner Jamie Foxx shows so much promise as a singer but he often neglects his musicality for terrible urban tracks such as the nasty Auto-Tuned mess of
Blame It. Arguably a scene stealer on Kanye West’s mega-hit Gold Digger, Foxx once again sells himself short on this single, the lead from his fourth studio album. While not as bad asBlame It and mercifully ditching the Auto-Tune, Winner is still a run-of-the-mill R&B track. Featuring some brass instrumentation, classy little piano lines and hip-hop beats, it may sound like I’m saying the production sounds similar to Jay-Z’s Empire State Of Mind or Madonna’s 4 Minutes but it’s actually the typical R&B production that has been done to death. JT is barely noticeable on this track as seems to be the norm for him, if Esmée Denters new single is to be used as an example; and T.I.’s rapping, while more than up to the job is just tiresome, and disjointed from the rest of the song. When will this rent-a-rapper trend end? Everyone’s sick of it and NO-ONE sees it as an incentive to buy a single just because it has a rapper on it. The chorus is anthemic, which is why its been used as an NBA theme tune but overall another disappointing track from the deceptively soulful Jamie Foxx. 2.5 STARS

10. Jerry Fish & The Mudbug Club featuring Imelda May: The Hole In The Boat


The brass intro to this track sounds like the theme to some sinister ‘70s cop drama just before the police uncover the murder. The ominous, sonically pleasing jazzy backing continues as Jerry Fish breathily sings over the production. When powerhouse Imelda May joins in with her soulful harmonies, the song quickly turns into this dramatic yet classic sounding magic. Honestly, this for the next James Bond soundtrack (when MGM are no longer bankrupt, that is)!
4.5 STARS

11. Jet: Seventeen

JET - Seventeen
Australian rock band Jet caused quite a buzz last year with their single
She’s A Genius. Although it only cracked the Top 20 in its native continent of Oceania, the song certainly got them noticed elsewhere. Much like SAG, Seventeen sounds very similar to that track. Crunching indie-pop guitars, an irresistible riff after the chorus, a catchy chorus and an “oooh-oooh” hook, this is a brilliant Summer rock track. My only problem is that these guys might just be one-trick ponies and their Summery rock tracks with pop sensibilities may get a little tiresome after a while. Still, no-one’s complaining now. 4 STARS

12. Joshua Radin: Brand New Day

Joshua Radin - I'd Rather Be With You
Snooze! Come on now, we have enough inoffensive, acoustic radio rock singers, thank you! Jack Johnson has that position filled with his tired material already, thanks! We don’t need an exact carbon copy. There’s nothing horrible about this track, it’s sang nicely but it’s so bland, clichéd and unoriginal. I just hated it from the moment I heard it when I first saw the self depreciating, ‘humorous’ video.
2 STARS

13. Kate Nash: Kiss That Grrrl

Kate Nash - Kiss That Grrrl
Kate Nash has done it again! So impressed am I with the breakthrough singles from your albums, that I forget the follow-ups are always completely dire. Seriously another girl is being catty and stealing your man, Kate? Just have it out with her in the parking lot or use your brain to think of a more underhand way of offing…I mean dealing…with her. This is basically the theme of
Do-Wah-Doo rehashed all over again but without the big pop hooks and with all the lyrical prowess of that ginger Bianca from EastEnders. Kiss that grrrl and I will shrink her!” WTH does that mean? Or are you just throwing it in there for the sake of rhyming. With the word “Grrrl” in the title, I thought this would be one of those punk tracks I heard Nash recorded for the album, which I incidentally haven’t listened too. Yet again it’s more brassy ‘60s pop production, which is difficult to differentiate from DWD. I’ll give her half a point though for the vulnerability at the end of the track. 1.5 STARS

STINKER OF THE WEEK!
14. Katie Price: Free To Love Again

Katie Price - Free To Love Again
Before writing this review, I have not yet heard Katie Price’s new single yet. I wonder if I’ll be pleasantly surprised. *sticks on Katie Price’s
Free To Love Again on YouTube.* KILL ME! KILL ME NOW! Eurovision wouldn’t allow this monstrous, corny dance anthem, which sounds like it was recorded in Katie back shed with her children on backing vocals. Hell, the ‘80s wouldn’t allow it or the ‘90s or any other naff decade in music. Steps, Scooch and Margi Clarke would turn their noses up at it! Is Jordan still relevant enough to get this track published? ‘Cause its about time people got tired off her. She laughably said she wasn’t an attention seeker today. She’s a businesswoman, int’she? Now let’s hope that this song slips even further down the chart and we NEVER EVER have to hear it again!!! 1 STAR

15. Kyrah: Uh Oh

Kyrah1jpg
I’m actually of the opinion that Ke$ha is a great popstar and has some talent, which often leads to me getting the side-eye and sneers from my more hipster friends. God knows though, we don’t need another one and that’s what Kryah is! If you check out the $2 budget music video for her debut single
Uh Oh, you’ll realise that Kryah is also a lady who looks like she just climbed out of a skip, put her make-up on in the dark, stumbled into some strange man’s bedroom and started singing about being so intoxicated that she can barely see and packed a good dose of Auto-Tune in her penniless purse. While Ke$ha’s voice has a yodel-esque, Valley Girl lilt to it which is somewhat bearable or even pleasing, Kyrah doesn’t! Her voice is completely flat and sounds absolutely hideous during the verses. Thankfully for her, the chorus is incredibly catchy. But really, chorus aside, this track does nothing new from the current electropop phenomenon and we have enough trashy popstars already. So unless Kyrah changes her sound and image, I want her to disappear completely. Bring back class (or at least subliminal sexiness) to music! 2 STARS

TRACK OF THE WEEK!
16. Mark Ronson & The Business Intl. featuring Q-Tip and MNDR: Bang Bang Bang

Mark Ronson - Bang Bang Bang
It’s official. Mark Ronson is the standout producer of our generation. After a number of jazzy covers on mega successful album
Version with Lily Allen and Amy Winehouse, Ronson knows that jazz is not where it’s at now and has embraced the new ‘80s trend we’re experiencing at the minute. I would accuse Ronson of jumping on bandwagons but I can’t bring myself to it because this is bloody brilliant! Teaming up with his band The Business Intl., Marky is also joined by sexy secretary type hipster Amanda Warner of electronic duo MNDR and one of the more low-key American rappers Q-Tip. Bang Bang Bang epitomises the ‘80s from its retro, ill-fashioned video to those bouncy synth riffs. But it sounds absolutely flawless. Everything from the infectious synths to the genius sampling of French nursery rhyme Alouette sound perfect. Warner’s scuzzy, catchy vocal suggests that we should all keep an eye on MNDR in the future and Q-Tip’s rapping never sounds phoned in or disjointed, but rather fits with the song as a whole. One of the best mainstream pop songs of the decade, one that both the mainstream public and the hipster groups can all enjoy. I thoroughly look forward to Ronson’s cover free Record Collection on 27th September. 5 STARS

17. M.I.A.: XXXO

M.I.A. - XXXO
I’m wondering when the heck the music video for this track will be released because lack of the Hype Williams directed video will effect its sales. Not that M.I.A. normally cares about sales but with a single as unusually catchy as this, it just has to do well. After the controversial and noisy promo single
Born Free, this – the official lead single from M.I.A.’s third studio album /\/\ /\ Y /\ is one of the few radio friendly songs in her back catalogue. The catchy, melodic and futuristic love song may be more than it appears though with the song’s deceptively catchy hook going ”You want me be somebody/who I’m really not”. Is this a jibe at her record company for making her release a commercial lead single? All the same, M.I.A. definitely hasn’t sold out with this one as the lyrics are ambiguous for the most part and the Rusko and Blaqstarr produced jam has a sense of paranoia about it that fits in with the whole concept of the album. Still, for those of you who don’t care about M.I.A.’s political and conspiracy theory jargon, then this is probably one of the lightest songs she’s released. If you fancy rent-a-rappers, you can check out the Jay-Z remix with a stamped in rap from himself. He’s rumoured to be appearing in the video as a matter of fact. 4 STARS

18. Millionaires: Stay The Night


The Ke$ha imitators are out in full force this week. California trio Millionaires have released a song called
Stay The Night. Like Ke$ha, it’s a little naughty, has Auto-Tuned vocals and is performed in singy/rap voices. It even has a rap breakdown stolen straight from TiK ToK during the middle eight. However, unlike the other Ke$ha imitator Kyrah, Stay The Night is a pretty decent pop tune. The feel good guitar backing track helps, the light yet sticky chorus infiltrates your brain and provided the Millionaires get enough promotion (which I doubt), this could easily be a song of the Summer. It sounds like it samples something too because that chorus is familiar. Plus the band has two cute Asian girls and Asians are rarely ever seen in pop music so I have fingers crossed that this will be a hit. 4 STARS

19. Paramore: Careful

Paramore - Careful
With
Brand New Eyes, Paramore’s third studio album, the band, especially Hayley, progressed massively in maturity and lyrical quality. The male members are often overshadowed (much to their displeasure) by their charismatic and beautiful lead singer Hayley but with this track, the guys overshadow Hayley. Okay, not exactly. But this is instrumentally the strongest track on Brand New Eyes while Hayley is on auto-pilot. With break-neck guitar riffs by Josh Farro and Taylor York, crunchy bass by Jeremy Davis and pounding drum beats by the band’s baby Josh Farro, this is a track that just makes you want to leap around your room, swinging your head around, and probably causing grievous bodily harm to yourself in the process. The instrumentation can best be described as fast, angry and spiky. But the chorus is a bit of a let-down as are the lyrics which are the full on emo of Paramore’s earlier records. Don’t get me wrong, I love Paramore’s earlier records but with other songs on BNE being far more honest, this always disinterests me somewhat. Hayley’s vocals are back to their wail-some self after trying out a bit of restrained melancholy with her cameo on B.o.B.’s soon to be #1 hit Airplanes, but the chorus doesn’t have the massive draw to it that other tracks had and sounds a little samey. Oh well. Hopefully it does well all the same. 3 STARS

20. Professor Green featuring Lily Allen: Just Be Good To Green

Professor Green Feat. Lily Allen - Just Be Good To Green
I don’t believe this is Lily’s last hurrah in music…because let’s face it…pop artists retire all the time. They quickly become irrelevant and their back in the music game quicker than you can say “Jay-Z” or “Eminem”. Basically, I’m in a minority that doesn’t care for this song much. Sure The SOS Band’s sample
Just Be Good To Me is ear-snagging and Lily’s girly, melodic vocals really add to the song but this is more boring radio-rap that has to rely on a guest vocalist, samples and more clichéd raps without a shred of originality. Professor Green’s cheeky personality is quickly grating on my nerves and I can’t stand his helium voiced rapping. Basically, a song that will do for the time being but will quickly be forgotten about by the time Prof. Green moves onto his next gimmicky single. 2.5 STARS

21. Seth Lakeman: Tiny World

Seth Lakeman - Tiny World
One of the many talented folk musicians of the Lakeman family, Seth gets his organic sounding viola out. Unlike many folk musicians, Seth has a really deep and powerful voice that’s just as suited to pop or rock music as it is to folk. As for the track itself, it’s a decent and rousing vocal performance against some creaky violin strings. This won’t set the World alight, not even the folk World but it’s a decent folk track by a talented musician…who’s created a decent comeback single.
3.5 STARS

22. Trey Songz: Already Taken

Trey Songz - Already Taken
R&B singer and judging by his many softcore music videos, sex addict Trey Songz releases this single to correspond with the third
Step Up flick. If you’re expecting a certified club banger like Flo Rida’s Low then prepare to be disappointed. This mid-tempo track is probably played in the movie around the time when the guy realises what a douche he is and runs to the airport/defining event in the girl’s life to please her/make things up to her for being such a douche. This track will probably provide a tense moment at the climax for the film but as far as a standalone single, it fails.Already Taken has no real definable hook and the production and lyrics don’t stand out in any way whatsoever. For Trey Songz fangirls and boys only. 2 STARS

23. Two Door Cinema Club: Come Back Home

Two Door Cinema Club - Come Back Home
After a series of high profile advertising endorsements, it looks like TDCC’s star is rising. Following on from the success of their re-released
Something Good Can Work, the boys return with another bouncy indie pop song. It’s a perfectly fine tune with sharp guitars and an instant enough chorus but it still feels rather run-of-the-mill. Nothing stands out about it really and I sadly think that this single will fail to replicate the success of the last. All the same a pleasant enough listen. 3 STARS

24. We Have Band: Oh!

We Have Band - Oh! EP
The Bloc Party-esque band release this strange little tune. The hook naturally comprises of the word ‘Oh’ but it’s repeated almost to irritation against an electro backing in a number of different voices. The verses are fantastic though with
Crash Bandicoot style blips and bleeps running through it. Add bouncy guitars and an instantly catchy hook, this track might be too weird for the mainstream but once you hear it, you’ll have trouble getting it out of your head! 3.5 STARS

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Paramore to release ‘Playing God’ as next single

According to the reliable Radio 1 website, punk pop band Paramore are set to release a fifth single from their album Brand New Eyes – the angry mid-tempo track Playing God on 20th September. The single will follow Careful which has been set for a 12th July release date. It is unknown if the single will be released outside of the UK and Ireland yet.

Five singles is the most the band have released from any of their albums so far so they must have continued faith in the current project. The album has hit the #1 spot in Ireland, UK, Australia and New Zealand while hitting #2 in their native US, Hayley is flying high on the charts having featured on B.o.B’s album and the singles have done moderately well so things are looking good for the band.

Playing God is a fan favourite but it doesn’t sway me really. It’s decent and I’d be more than happy to hear it on the radio but I would have preferred if they had gone with Turn It Off or the optimistic Where The Lines Overlap. But hey! Maybe there’s still time to release those two yet.

Check out the video below and tell me what you think about the choice to have Playing God as the next single?

Catch Up: Music videos I’ve missed while doing other stuff

Kylie Minogue All The Lovers

Hey there, guys! You may have noticed that my blogging activity has been rather low lately. That’s because I’ve just moved to a new house, new town and I also have a new job so I’m pretty much occupied getting used to my new surroundings. However, after a week, I decided that my blog needs a bit of attention again so here’s some new music videos by some of the biggest pop artists at the minute.

Kylie Minogue: All The Lovers

Kylie Minogue’s new single All The Lovers from forthcoming album Aphrodite saw its video release about a week ago. Directed by Joseph Khan (Britney Spears: Womanizer), you can watch the video below:

Wow! How stunning was that video?! Kylie is possibly the only popstar who can get away with selling really raunchy imagery and come out of it looking completely innocent. If this were Lady GaGa or Rihanna, the video would be complete trash but Kylie manages to give off a really sensual vibe, making the gang bang in the street look positively romantic. The cinematography is beautiful and I’m sure that this will be yet another iconic Kylie clip.

JLS: The Club Is Alive

Those heartthrobs JLS release the video for new single The Club Is Alive the new single from their sophomore album, which they hope will help them crack the US. Directed by Frank Borin, you can watch the video below.

Sigh. I really want to like these guys but its impossible to when they make such terrible music and have such a cheesy image. I was hoping that they would mature with the next album, still hold onto their tween fanbase but grow up a bit so older people could enjoy their music. This video is probably their best yet – but that’s not really saying much seeing as there previous three videos were low budget and not exactly exciting clips. Some of the dance moves are questionable too although I blame their choreographer instead of them because I do know they are good dancers. I’m sure, regardless of my opinion, this song will be a hit and the YouTube is sure to rack up plenty of views.

Paramore: Careful

Punk pop favourites Paramore are back with the fourth single from their album Brand New Eyes. The Careful video was put together by director Brandon Chesboro, who directed the band’s previous video The Only Exception.

I’m pretty disappointed with this video to be honest. This is the third video by the band to contain clips of them performing live and backstage footage, after the videos for All We Know and Hallelujah. Sure, Paramore have great cammaderie and give the impression that they’d be fun to hang around with but I don’t think footage of them goofing around fits with the moody angsty nature of the song. Oh well.

The clip for Kelly Rowland’s new single Commander has also leaked online in low quality. You can watch it on YouTube but I won’t post the video until the proper premiere for the video on Monday, 14 June.

Singles Reviews Diary 9 – 2nd April 2010

It’s the Good Friday edition of my Singles Reviews Diary! After two poor weeks for singles, things are looking up this week with 32 singles – most of them good. Most of them okay. In fact, it was very difficult to pick a stinker this week but I did!

Singles Reviews Diary 9 – 5th April 2010:

01. Amerie: Heard ‘Em All
Amerie hit the big time with the infectious and funky hit single
1 Thing back in 2005 but ever since she’s faded away into obscurity. She’s now back with new single Heard ‘Em All. So does it tick the right boxes? Well yes. It has a reasonably catchy chorus. It has a great, drum heavy production thanks to hit producer Sean Garret. It has some World music effects that are all the rage at the minute. It has a dark yet raunchy video with some hot choreography. But what is she doing different from Beyoncé, Rihanna, Ciara et al. Nothing really. And that’s where Amerie and this song fall down. The song is listenable and fun but nothing very original about it at all. 3 STARS

02. Beach House: Zebra
A beautiful and dreamy torch song from the US band. I agree with Harry however, this song is tends to go on too long and can’t keep the momentum going for its 4 minute 52 second length. Nice background music though.
3.5 STARS

03. Ben Montague: Haunted
A schmaltzy and clichéd pop ballad about love and heartbreak. Housewives and adult contemporary radio will love the powerful voiced Montague on this song but this could just as easily have been sang by James Morrison, Robbie Williams or any of the Take That members and nobody would tell the difference.
2.5 STARS

04. Clipse featuring Pharrell: I’m Good
A breezy Summery tune from rap duo Clipse. Produced by the Neptunes and featuring Pharrell, this sounds like something that would have ruled the charts back at the start of the 2000s but probably wouldn’t do so well now as it doesn’t have the Europop effect. Still, not a bad driving song at all. Something to put you in a Summery mood despite the lack of originality.
3 STARS

TRACK OF THE WEEK!
05. Codeine Velvet Club: Vanity Kills
Jon Lawler of The Fratellis teams up with Scottish chanteuse Lou Hickey for this ambitious side project as new band Codeine Velvet Club. This song is just fantastic and I hope it gets the airplay it deserves as it gets the re-release treatment. One side of a double A-side single, this is a big band jazzy number with Jon and Lou’s vocals complimenting each other perfectly. Could easily be chosen for the next James Bond soundtrack.
5 STARS

06. Codeine Velvet Club: Little Sister
Wow, now this shows that the band is versatile.
Vanity Kills might have been a big jazzy number but this track is more old school rock ‘n’ roll with Jon and Lou’s vocals complimenting each other brilliantly once again. The album which this song is taken from Codeine Velvet Club was released back at the end of last year and I’m surprised I’ve only heard of these guys now. Here’s hoping this time round, they get some recognition. 4.5 STARS

07. Coheed & Cambria: The Broken
Coheed & Cambria are back with a teaser single from their new album
Year Of The Black Rainbow. Heavy and atmospheric, this prog rock isn’t a million miles away from 30 Seconds To Mars This Is War although lacking in the mainstream chorus department. A fairly decent indication of what’s to come but it doesn’t particularly excite me either. 3 STARS

08. David Guetta featuring Kid Cudi: Memories
Finally David Guetta releases the standout song from his
One Love album. Amongst a ‘90s sounding piano backing, Kid Cudi dispenses his vocals in a mellow, almost bored way. But it works and fits well with the tone of the song. And I think we can all relate to the lyrics. Trust me, boy racers will love this song as they’re driving around in their souped up Puntos, but that’s not to say the rest of us can’t enjoy it to. Manages to find that neat balance between being danceable and being a chilled out holiday tune. 4 STARS

09. Delirious?: History
How random is it that Facebook are now controlling the release of songs these days. AHHHH! The Internet is taking over the World. Seeing as Easter is the most important holiday in the Christian calendar, it’s only fitting that a Christian rock band knocks that she-devil Lady GaGa off the top spot for Easter Sunday! I quite like the song, it has an inspirational message and tone and as Harry quite rightly pointed out, it does sound a bit like U2. Its not exactly doing anything new but its something different from the usual crop of songs infiltrating the radio at the minute.
3.5 STARS

10. Doves: Andalucia
The Doves show they’ve still got it with this very enjoyable new single from their first Greatest Hits album
The Places Between: The Best Of Doves. The song is a real grower mainly thanks to Jimi Goodwin’s trademark moody vocals. That’s not to say the song is moody, it has upbeat instrumentation and some great subtle backing vocals on the chorus that add an extra element to the song. Doves fans will not be disappointed. 4 STARS

11. Flyleaf: Missing
I’ve also wondered why Flyleaf weren’t more successful. They have an attractive and talented female lead singer and despite being part of the ‘alternative metal’ category always have songs drenched with catchy vocal and instrumental hooks. It’s probably because, on this song especially, Flyleaf don’t sound all that different from the more successful Paramore. Strong angst ridden vocals. Check. Upbeat instrumentation that sounds like a combination between any punk pop song out there and Evanescence. Check. On
Missing, Flyleaf have everything Paramore have had on their previous singles but because Paramore became successful first, its almost like they’ve put up a road block to the mainstream and no-one else of their style can get through. Still this is a pretty catchy tune but doesn’t sound remarkably original. 3 STARS

12. Heathers: Remember When
The movie
Heathers seems to strike a cord with twin sisters. It was the inspiration behind Aussie twins The Veronicas and also seems to be the inspiration behind the bandname for these Irish twins. Remember When is seriously catchy, the folky chorus will stick in your brain like bubblegum on first listen. Not sure if I care for the sisters’ singing style but why should that matter when you can’t get their damn voices out of you’re head. 3.5 STARS

13. John O’Callaghan featuring Sarah Howells: Find Yourself
This song has been around in Ireland for ages, booming out of every nightclub and it finally gets its release in the UK this week. Again, there is nothing original about this song at all. This trance song has a big chance of becoming a hit though because of the infectious bridge chorus by singer Sarah Howell who sounds like a Celtic Cascada on this track. I have to admit this is a guilty pleasure of mine. Better than Inna’s
Hot by a long shot anyway. 3 STARS

14. Joshua Radin: I’d Rather Be With You
A soft and breezy song by the American singer-songwriter. Sounds pretty much exactly like Jason Mraz with the laidback vocals and warm, cushy melody. Basically, it sounds so eerily like a Jason Mraz song that I’m retitling this song
I’m Yours 2010. Nice listen but horribly unoriginal. 2.5 STARS

15. The Joy Formidable: Popinjay
This song is a good one to bob the head along to. It’s not doing anything from its indie peers but with some catchy guitar riffs, subtle synths and a kind of trippy animated video, its not bad at all.
3 STARS

16. Kanye West: Coldest Winter
Who knew that Kanye was still promoting his
808s & Heartbreak album. After much critical acclaim for the album and a Top 5 hit in Love Lockdown, the whole project seemed to go downhill after some poor charting singles and his disastrous appearance at the VMAs. But no Kanye is still pushing on. Coldest Winter basically epitomises the whole 808s & Heartbreak album. It’s cold, it’s bleak, and it’s sparse. It’s got tribal drumming and not much else as Kanye whines in Auto-Tune over the loss of his mother shortly before the album was released. Despite the use of Auto-Tune, West manages to show plenty of vulnerability on this track which probably shows why he’s one of the best rappers in the game at the moment. This isn’t as immediately arresting as Strongeror Gold Digger but it’s another solid entry into the Kanye catalogue all the same. We forgive you, Mr. West. 3.5 STARS

17. Lawrence Arabia: Apple Pie Bed
Check out the video for this, its amazing LOL! This song seems to have what I call the Mika Complex. It’s both irritating and catchy in equal measure, while New Zealander Lawrence Arabia (great name!) is certainly more alternative than the colourful poppy Mika, the chorus has that whole annoying falsetto going on the whole way through. I’m not going to come down to hard on Mika…I mean Lawrence…though ‘cause he’s intrigued me into listening to his other stuff. So a good effort for a first single.
3 STARS

18. MGMT: Flash Delirium
The super hip MGMT return with this teaser from their new album
Congratulations. While not exactly as infectious as Kids, this experimental song is a grower and like Lawrence Arabia above has an amazing video that would rival Lady GaGa’s Telephone if only it would get as much airplay. 3.5 STARS

19. OneRepublic: Secrets
Soaring strings and heavy drum beats. Yep, its another Ryan Tedder production. This man fails to show any originality at all. This is another soaring arena rock ballad with a giant chorus. It’s not particularly bad and its extremely catchy but shake things up a bit, Ryan, because people are getting tired off you. Thankfully, Ryan’s production doesn’t sound as recycled with OneRepublic but if he gave this backing track to another solo female artist, I wouldn’t be as kind with my rating.
2.5 STARS

20. Paramore: The Only Exception
When I bought Paramore’s album
Brand New Eyes back in September, this was a track that I skipped over a lot because I prefer uptempo Paramore as opposed to gooey romantic Paramore. And while this song is all gooey and romantic and would have been a perfect Valentine’s Day single, it actually shows a different side to the band. This is the first soft rock ballad that Paramore have released in their five years on the scene and lead singer Hayley Williams shows plenty of vulnerability on the song, using a much softer range than we’re used to hearing from her with the four guys complimenting her well. Hayley brings up her parents divorce on the acoustic laden track and as the pitch in her voice and the drumbeats increase on the climax of the song, there’s a definite sense of power towards the end. It’s not quite as good as previous singles Ignoranceand Brick By Boring Brick but it definitely sounds more commercial so here’s hoping it shoots up the charts. 3.5 STARS

21. Plasticines: Another Kiss
Loving this one from the French all girl rock band. Has that 1990s rock sound that I’m really loving at the moment. Unlikely to be a hit over here but that doesn’t decrease its brilliance.
4 STARS

STINKER OF THE WEEK!
22. Polluted Mindz featuring Master Shortie: Daydream
Finally I found myself a Stinker of the Week! This is like someone collided Akon and Sidney Samson together. If that sounds good to you well I’m pretty sure that Polluted Mindz has basically plagurised the highly recognisable synth breakdown of
Riverside (Let’s Go!). Expect to see Polluted Mindz in court very soon. 1.5 STARS

23. R. Kelly: Be My #2
Ever since R. Kelly was charged with paedophilia , he’s failed to gain a hit since. I don’t know whether Mr. Kelly is actually a pervert or not but he’s certainly producing some of his best work yet. Amongst a funky dance backing, R. Kelly croons out with that smooth mellow R&B voice which has fast become my guilty pleasure. Not as good as last year’s duet
Number One with Keri Hilson but pleasant enough all the same. 3 STARS

24. Sabrina Washington: OMG
Much like her former bandmate Alesha Dixon, this lead single from Sabrina Washington’s new album is irritating beyond belief…just like
The Boy Does Nothing, the lead single from Alesha’s album was irritating beyond belief! Where as The Boy Does Nothing was just irritating because it sounded like a novelty tune along the lines of Mambo No. 5,OMG is just plain annoying because its absolutely drowned in Auto-Tune and Sabrina’s attempts to get down with the kids by using MSN speak is just embarrassing. That said, however, I still think Sabrina has potential as a pop star beyond this single and Alesha surprised me her follow-ups so I won’t knock this too bad. At least the production sounds good. 2 STARS

25. Slash featuring Andrew Stockdale: By The Sword
Slash, the essence of Guns ‘N’ Roses and current guitarist with Velvet Revolver, returns with this new single from his eponymous debut solo album. With Andrew Stockdale, the lead singer from Wolfmother, on vocal duties, this is a fantastic classic sounding blues rock sound. I think I can even hear a little bit of a Led Zeppelin influence in there. Very excited about the new album now.
5 STARS

26. The Twilight Sad: The Room
I have to agree with Spirit on this one. This is the song to listen to when you’re feeling sad and lonely and realise that you’re not the only person in the World that feels this way. The aching piano melody combine beautifully in a mournful way with James Graham’s thick yet vulnerable sounding Scottish accent on this terrific new single from their second album
Forget The Night Ahead. 5 STARS

27. Taio Cruz featuring Ludacris: Break Your Heart
After successfully shooting to Number 1 and breaking records in the US with this updated version of last year’s UK number one hit, this video should be appearing on the music channels at this time. Naturally Ludacris’ rap was simply put into the song to appeal to the US market but where as guest raps generally feel phoned in, Ludacris’ rap flows well with the song. As for the rest of the song, well my mind hasn’t changed from last time, its as catchy as swine flu but so generic and once this electro craze ends, the song will be forgotten about completely.
3 STARS.

28. Taylor Swift: Fearless
Ahead of the official release of the boring and uninspiring
Today Was A Fairytale, Taylor releases this for promotional purposes. While many of Swift’s songs have been watered down into pure pop songs for the UK market, this one retains some of its country roots. It’s not exactly a masterpiece but Fearless has a pretty decent chorus and message which bears closer to the hit You Belong With Me than the hot mess that was Fifteen. It’s unlikely to be a hit but I can’t help this song from Taylor Swift. 3 STARS

29. Wallis Bird: LaLaLand
The normally folky singer songwriter sounds like P!nk on the verses of this re-released single from her sophomore album
New Boots. The chorus is reasonably catchy but lyrically Wallis goes down the same old path by sending forth the message that she’s real and shuns the Hollywood lifestyle. Okay. 3 STARS

30. We Are Scientists: Rules Don’t Stop
We Are Scientists are back with new single
Rules Don’t Stop from forthcoming albumBarbara. This is a really strong comeback single. Instantly catchy and likeable. A must have for the singles you’re sure to download after reading this post. 🙂 4 STARS

31. Whitney Houston: Nothin’ But Love
People may say that Whitney’s voice may not be what is used to be but thanks to a little studio magic, Whitney’s strong and husky voice sounds as good as ever. To coincide with her upcoming tour of the same name,
Nothin’ But The Love is a synthy mid-tempo that sounds classy but in no way’s dated. I’m actually surprised by how much I like this one from Whitney who has impressed me since her comeback a few months ago. 4 STARS

P.S. ChartBlog favourites Sean Kingston and Justin Bieber officially release new singleEenie Meenie this week.