Single Reviews Diary 26 – 30th July 2010

I’m very generous with the ratings today guys but that’s because I pretty much like every song released on 30th July. My Track Of The Week is going to surprise and disgust many people. The Stinker was difficult to choose but received it for disappointing me rather than being a bad song. Read below. So happy that I’m quickly catching up on these SRDs also!!!

Single Reviews Diary 26 – 30th July 2010:

01. Arcade Fire: Month Of May
Critic darlings Arcade Fire are all geared up to release their third album
The Suburbsrather unwisely on the same day they drop the album’s lead single as well as two promo singles. The first of two promo singles is Month Of May, a fast paced chugger with dark lyrics about “killing in the month of May”. It’s a serviceable tune and does the job of engrossing the listener but when it ends, I was just left thinking “Is that it?!” It’s good but a little forgettable to be honest. 3 STARS

02. Arcade Fire: The Suburbs
The title track and second promo single from the album like
Month Of May is another serviceable rock tune but not as great as I expected. The song is slightly reminiscent of The Beatles with its plodding piano keys and ‘60s style, bouncy mid-tempo instrumentation. I was hoping for something with alittle more fire to it but The Suburbsis a pleasant enough Summer tune with some gorgeous falsetto vocals but it still feels somewhat lacking.3.5 STARS

03. Arcade Fire: We Used To Wait
Now this is more like it! AF rediscover their fire on this OFFICIAL lead single from the album. Building up with some energetic plinky plonky pianos and meaty guitars, the song has an ear-snagging catchy chorus, detailed lyrics, layered arena type backing vocals and faintly reminds me of the Eels, which isn’t a bad thing at all. With this single, the band show off the urgency that made me fall in love with their breakout single
Intevention. 4 STARS

04. Ash: Carnal Love
Sigh! I like Ash but I am so glad this A-Z project is nearing its end. It’s getting tiresome reviewing decent yet unexciting pop rock tunes from the band. The band have put a little effort into the single, filming a music video for it but the song is nothing to blab about. The Northern Irish rockers are in angsty mode here with brooding lyrics and a whiny yet very catchy chorus. Credit to the band for keeping a consistent line-up of singles but the lack of hype or vastness surrounding them is just depressing.
3 STARS

05. Corinne Bailey Rae: Closer
Poor Corinne. Long are the days gone by when
Put Your Records On was plastered all over the radio but I guess Bailey Rae has gone ‘too indie’ with her second album The Sea. Proving to casual listeners that the record isn’t made up bleak ballads (the album was inspired by the grief of losing her husband), Corinne releases the funky Mowtown of Closer. In it, the singer purrs seductively amongst an array of funky brass instrumentation. The 31 year old’s vocals sound absolutely gorgeous here and the fun loving lyrics are really suited to Summer time. One of the standout tracks from The Sea.4.5 STARS

06. Erykah Badu: Turn Me Away (Get MuNNY)
While Corinne has gone for a more subtle approach to funk, neo-soul singer Erykah Badu has gone all out on the funk with this mid-tempo squelchy disco tune. Badu sounds like a young macy Gray which I love. Her vocals are high, yelpy, accented yet controlled. This has a wonderful old school feel to it. Really reminds me of the 1990s R&B – soulful – before it became the watered down garbage sang by everyone and their mum today.
5 STARS

TRACK OF THE WEEK!
07. Flo Rida: Club Can’t Handle Me
I really wanted to dislike this song for three reasons.
1) Because I find Flo Rida a completely shallow, fad artist.
2) David Guetta being the attention seeker that he is, has a feature credit on it WHICH I REFUSE TO ACKNOWLEDGE!
3) This is trying to do what Timbaland and Guetta himself tried already in recycling the iconic
I Gotta Feeling structure to score a hit.
But I can’t hate it! Because
Club Can’t Handle Me is actually amazing. And will continue to be after it drops out of the Top 40. It actually manages to sound like I Gotta Feeling– a really feel good party anthem that despite its flaws still manages to sound stellar because it just brings a smile to your face everytime you hear it. Guetta’s production is recycled but immensely danceable with pulsating beats and warm acoustic guitar licks. Flo Rida while remaining as one-dimensional as ever has a great flow that works great against the pounding club beats. And then the chorus comes in and everything slows down – an uncredited female vocal kicks in (seriously give her feature credit instead of Guetta) and combined with Flo provides a singalong anthemic chorus that leaves you with a warm fuzzy feeling inside. This is a party anthem that really inspires you through its sonic energy to enjoy life and the friendships you’ll develop while moving to this with friends/partners on the dancefloor, bedroom or in your car. Okay, I’m talking like this is the greatest thing since Jesus Christ but this has the potential to be iconic. I really believe that. So rather controversially, this is getting Track Of The Week. Rightfully, I should give it to Erykah Badu but since this will most likely be the first and only time Flo is bound to win such a prestigious award from me, I’m going to give it. Despite its flaws, this deserves no less than… 5 STARS

08. Frank Turner: Try This At Home
The singer songwriter tries to integrate himself into pop culture with this short yet sweet folk stadium rocker. Here, Turner encourages the listener to pick up their guitar and sing about relatable things like he does in the accompanying music video for this song. I guess Turner is trying to coax people to host random singalongs in public places (not necessarily a bad idea) but the cynical side of me is thinking he’s trying to get the public to stand up and copy him, hence starting an Internet phenomenon. Still, this track will probably go down a storm at live shows.
4 STARS

09. The Hoosiers: Choices
Haha I love this track! While I always enjoyed The Hoosiers comedic videos, their music has never struck a chord with me, no pun intended. With this lead single from their new album
The Illusion Of Safety, the guys shake things up by adding some vigorous synths (which I LOVE in the intro), some lovely use of falsetto on the verses and a storming chorus. Despite the electro influences, it doesn’t sound like all the other trash in the charts, instead taking on a New Wave feel, something their contemporaries McFly maybe should have taken note off. The Hoosiers have won me over and they’re sure to win over their other sceptics too with this stellar comeback single. 4.5 STARS

10. Marina & The Diamonds: Oh No!
This is my favourite track from Marina’s
The Family Jewels album. It has turned me from a casual Marina fan to a hardcore fun because it’s this song that makes Marina so loveable in the first place. Amongst a carnival of pounding double beats, flowing pianos and squelchy, cartoony synths, Marina sings in a high pitched mock operatic vocal for the irresistible chorus and exudes so much personality on the witty verses, my favourite line being where she sings ”TV thought me how to feel/Now real life has no appeal!” This obviously gets…5 STARS

11. Melanie Fiona: Monday Morning
Canadian soul singer Melanie Fiona actually sounds eerily like Alexandra Burke on this track. However, while Alex is a talented yet manufactured act, Melanie is all about the soul. This is a catchy number with solid vocal work and a funky yet modern sounding production but doesn’t exactly standout from the many other soul singers out there. Still, if this were promoted properly, it would be a hit.
3.5 STARS

STINKER OF THE WEEK!
12. Paloma Faith featuring Ghostface Killah: New York (Remix)
Ugh, re-releases! I have already lamented countless times the pointless re-releases of Florence + The Machine’s
Dog Days Are Over (although that re-release scored her a VMA nomination),Paolo Nutini’s Candy and 3OH!3’s Don’t Trust Me. Paloma is re-releasing her atmospheric single New York, one of her biggest hits. But to make things worse, this re-release will feature rapper Ghostface Killah. Now its normally pretty offensive as a member of the public to have record companies think we’ll buy a single just because it features a random rapper on it but it’s doubly offensive that a guest rapper was added to this song. This track has such an authentic, retro feel to it, like it belongs to some bygone era. Adding Ghostface Killah with his mercifully short yet painful rap just destroys the essence of the song and is an insult to Paloma’s talent. Nothing personal against Ghostface Killah, I’m sure he’s a fine rapper but its clear the record company only care about cashing in because a Ghostface Killah remix of Amy Winehouse’s You Know I’m No Good helped further Amy’s career in the US. How about separating Amy and Paloma and letting them be their own person instead of putting pressure on Faith to score a hit in her fear of being dropped. This is a shame because I didn’t think we’d ever see Paloma Faith on my Stinker list. 2.5 STARS

13. Pearl And The Puppets: Make Me Smile
Oh look! It’s another Scottish folk singer/band. This is a perfectly passable folk pop track with a great “doo-dooo-doo” hook and a repetitively catchy “just let it go, let it go…” chorus which help it to rise above dull. I recommend checking this band out because they appear pretty talented.
3 STARS

14. Sarah Blasko: I Never Knew
Ellie Goulding and Diana Vickers – meet your Australian counterpart. Blasko phrasing during the verses is something your either going to love or hate (“It’s not enurrfff!”). The backdrop of sparse beats and tambourines is interesting and I for one love Blasko’s smoky voice but this doesn’t stand out from many other AC tunes.
3 STARS

15. Sunday Girl: Self Control
This chick is a little too similar to Sky Ferreira if you ask me. This is a moody, atmospheric electro ballad. Think of Sunday Girl as a solo female version of Depeche Mode. She’s certainly an interesting popstar and I’ll keep my eye out for her but it seems that this track may be something that really needs repeat listens to grow on you. I’m not bowled over by the track, I can see the potential in it though and the potential in Sunday Girl so I’m ready to give her a chance.
3 STARS

16. Toni Braxton: Make My Heart
The former Queen Of R&B has struggled with her comeback but unlike Christina Aguilera and Jennifer Lopez, I appreciate that Braxton continues to push ahead with it and promote, keeping her name out there even if she is flopping. It’s no wonder she’s flopping though because this track isn’t very good. The verses are really funky and 1970s but then the chorus is really modern pop R&B with a catchy “dum-dum-dum” hook. It’s really jarring and makes the song feel incomplete and un-single worthy. Best confined to the album.
2.5 STARS

17. Villagers: Ship Of Promises
The Irish rockers recently topped their native Album Chart with new album
Becoming A Jackal. Can they perform as well in the UK? I doubt it. The poetic lyrics are certainly something that deserve that recognition but the song with its changing tempo, downbeat vocals and bounding drumbeats and guitar aren’t enough to draw you into what is essentially a dull song. The outro is rather good though with some epic backing vocals and discordant noises. Good but not as spectacular as most critics would have you believe! 3 STARS

Advertisements

David Guetta and Flo Rida premiere the music video for ‘Club Can’t Handle Me’

David Guetta, fame whore DJ extraordinaire, and pop rapper Flo Rida have teamed up for the official video for Flo Rida’s new single I Gotta Feeling: Part 3 Club Can’t Handle Me, the lead single for the Step Up 3 soundtrack and also the lead single for his third studio album The Only One.

As evidenced by my mistake above, Club Can’t Handle Me has that euphoric, joyous feel with a slight rock edge that David Guetta has produced on previous tracks for his own Gettin’ Over You and the Black Eyed Peas massive hit I Gotta Feeling.

The video is your typical soundtrack music video. Guetta continues his trend of making pointless cameos in the videos while Flo Rida attracts large crowds from all over the World to rave to his poppish new tune. The video is intercut with scenes of Step Up 3.

On a completely unmusical note, I think the female lead used to be in Australian soap opera Home & Away. As only a casual viewer of the show, I can’t recall her name but she was a stray Sally took in off the street and she had HIV. Good on her for cracking Hollywood.

Single Reviews Diary 22 – 2nd July 2010

Again, I’ll have to apologise for my lateness with this one – the twenty-second edition of my Single Reviews Diaries. So this week is actually the week of my 19th birthday and the singles are actually rather interesting. It wasn’t hard to pick my Track Of The Week and Stinker Of The Week because not only are they the best and worst songs of the week but probably the best and worst songs of the WHOLE ENTIRE YEAR. 3 is a magic number and magic begins with the letter M so it’s also intriguing to see that two artists, both beginning with M have released three promo singles each for our listening pleasure. So yep, it’s a peculiar week. Read my reviews below and give me comments and opinions on what you think of this week’s selection.

Single Reviews Diary 22 – 2nd July 2010:

01. 3OH!3 featuring Ke$ha: My First Kiss

3OH!3 - My First Kiss
Eurrgh! These 3OH!3 losers had me guiltily singing along to
Don’t Trust Me andStarstrukk featuring Katy Perry but at least I could admit to myself despite the guys’ obvious stupidity, there were some pop smarts underneath the tripe. Not with this – the lead single from their sophomore album Streets Of Gold. Following off the back of their last Ke$ha collaboration Blah Blah Blah, My First Kiss is just completely dumb. Starting off with a shouty “My first kiss went a little like this” followed by kissing effects, the song continues in the same annoying manner with the boys shouting tunelessly over a cascade of guitars and synths. Ke$ha’s role is pointless, only providing a brief female slant to the track and to attract some additional star power. Sure, this will make all the sweaty pre-pubescents at the teenage disco go crazy but for anyone who has moved well beyond their first kiss, this is pop at its dumbest and most senseless. And clearly 3OH!3 are becoming one trick ponies – using silly sound effects in order to sell their songs seems to be their thing. Plus the blond one (not Ke$ha) comes across totally desperate for attention in the accompanying video. I’ll give it half a point extra for the oooh-oooh hook though. 1.5 STARS

02. Ash: Instinct

Ash - Instinct: 7-inch + Download: £5.00 packshot


Single Letter T (we’re finally getting to the end of them) is a decent pop rock tune with a huge electro influence. It’s perfectly enjoyable radio fodder (not that it will get the airplay) but doesn’t boast any sizeable hook or anything really special. A pleasant listen with a nice long guitar solo towards the end.
3 STARS

03. Bombay Bicycle Club: Ivy And Gold

Bombay Bicycle Club - Ivy & Gold / Flaws
Quirky rockers Bombay Bicycle Club are yet another band with a single that recalls sunshine and school’s out. This has a very folky sound which is pleasant to listen to but I’m constantly reminded of Mumford & Sons. Decent but BBC probably need to broaden their sound out a bit more.
3 STARS

04. Cathy Davey: Army Of Tears


The extremely talented singer songwriter that is Cathy Davey has returned with the second single from her brilliant new album
The Nameless. Amidst marching band beats, ominous guitar and banjo and dramatic strings, Cathy manages once again to take the listener away from their own World and into her own otherworldly one with her soft, endearing vocals. Another excellent single, surely international success beckons. 4 STARS

05. Ciara featuring Ludacris: Ride

Ciara - Ride
Following an underwhelming foray into pop with her last album
Fantasy Ride, the Queen of Crunk Ciara returns to her raunchy roots from her first album with forthcoming fourth album, the aptly titled Basic Instinct. This song seems to be doing relatively well in her native US. Despite the sexual but “nothing new in this day and age” music video being banned in many territories, the song has cracked the US Top 50 and hit the Top 5 on the US R&B/Hip-Hop charts so clearly many urban fans have welcomed back the old Ciara. I enjoy urban music myself but this is a pretty poor comeback single. Ludacris shows up for his fifth CiCi collaboration but really this guy will rap on anything these days! He spends most of the time talking in the robot from Boom Boom Pow’s voice while Ciara croons in the only way she knows how…soft and breathy which sounds sexy alright but shows how limited her vocal range. With a title called Ride, this is clearly a bedroom jam but it’s a very run-of-the-mill bedroom jam rather than a hot steamy one. Maybe on Ciara and Ludacris’ sixth collaboration, they might surprise us? 2 STARS

06. Eliza Doolittle featuring Lloyd Wade: Pack Up

Eliza Doolittle - Pack Up
I think Eliza Doolittle is an awfully contrived singer – one of those ‘kooky’ singer-songwriter types who writes chirpy indie tracks, their bubbly vocals just perfect for the next Apple ad. That’s exactly what Eliza is on this single – chirpy. She even “tweets” halfway through the song. Not actually tweet as in write short messages on Twitter but actually imitates a bird. However, I can’t deny the catchy Summery draw of this track and the fact that Ms. Doolittle thinks outside the box a little by sampling an old World War I tune originally sang by George Asaf. Her friend Lloyd Wade gives a positive and raspy vocals work as a good catalyst to Doolittle’s “love it or hate it” singing voice. I think for this, Doolittle deserves a chance at the Top 20.
3.5 STARS

TRACK OF THE WEEK!
07. Florence + The Machine: Cosmic Love

Florence + The Machine - Cosmic Love
This track continues to give me goosebumps everytime I listen to it, even a year on from first hearing it. One could compare it to
Dog Days Are Over as it has that same Florence structure – starting off all subdued with quiet vocals and tinkling harps before exploding into a flood of heavenly vocals, tribal drumbeats and bombastic production. However, while Dog Days is a great track – it feels more like the type of song you’d dance along to at a festival. It has a real joyous celebratory feel but it never feels extraordinary – at least I don’t think so anyway. Cosmic Love has an ethereal feel to it – like it comes from another planet! Florence sounds like some otherworldly spectre as she bellows out this explosive, romantic tune with a Celtic lilt. The production matches the epic vocals and lyrics perfectly and the oooh-ooohs are beautifully haunting. When Florence hits those two high notes towards the end of song – you realise this song is nothing short of magic. This is without a doubt one of the most underappreciated mainstream releases of our time and it baffles me that it was picked as the seventh single from the album. 5 STARS

08. Foals: Miami

Foals - Miami
Following on from the brilliant
This Orient, the alternative rockers return with a song so sweaty and muscular, it matches the accompanying video to perfection. To be honest, I find this track a little lacking. Despite some funky guitar work, it’s all a bit too plodding and doesn’t pack much bite or promise. The vocals are background noise and the song should have ended 2 minutes earlier than it does. I would definitely check out there other stuff though because, unlike this, it sounds like anything but album filler. 2 STARS

09. Ham Sandwich: The Naturist


The talented band with an unfortunate name return with this soft sing-along track from their upcoming second album Natural Causes. It’s a lot softer than what we’re used to from the group with Niamh Farrel, the band’s frontwoman, packing in lots of angst and vulnerability into this acoustic track which lyrically could be compared to Robyn’s
Dancing On My Own. Irish radio needs to start playing this. 4 STARS

10. Kelis: 4th Of July (Fireworks)


I do believe I said over on the review for this song that I didn’t like this track much but I’m glad I gave it a few more listens before I reviewed it. Because
4th Of July is clearly a grower. It doesn’t have any real discernible hook but Kelis sounds like a lost ‘90s dance diva on this well produced, squelchy house track, yet another lyrical ode to her son Knight. Tying in with the American holiday, this has a misleading euphoric feel – and while it doesn’t quite reach the standards of Acapella – Kelis shows that you can jump on the dance bandwagon without sounding like everyone else out there. 4 STARS

11. Kevin Rudolf featuring Jay Sean, Lil’ Wayne and Birdman: I Made It (Cash Money Heroes)

Kevin Rudolf / Lil Wayne / Jay Sean / Birdman - I Made It (Cash Money Heroes) (Edited Version)
One hit wonder Kevin Rudolf returns with another catchy urban pop rock tune which features old cohort, the incarcerated Lil’ Wayne, pointless music video cameo staple Birdman and US flavour of the month Jay Sean. The track has an upbeat anthemic feel, no doubt helped by Sean’s smooth vocals, and is sort of likeable but is unoriginal with some clichéd and tired lyrics about artists getting to the top. Sorry guys, B.o.B. did it better.
3 STARS

12. Janelle Monáe featuring Big Boi: Tightrope

Janelle Monáe - Tightrope [feat. Big Boi]
Janelle is definitely going to be the next big global star. And well deserved…rather than posing as an oversexed avant garde artist, Monáe is a good old fashioned funky soul babe, dressed in an androgynous suit who sings at a rapid pace amongst some toe-tapping production of guitars, drumbeats and rhythmic trumpets. As much as I enjoy Big Boi for his innovative approach to hip-hop music, his appearance on this track is not worthwhile at all. That being said, Monáe is very special indeed and all eyes are on her to see what she’ll bring out next.
4 STARS

STINKER OF THE WEEK!
13. JLS: The Club Is Alive

JLS - The Club Is Alive
Complete garbage. I don’t care how many hooks this track has, I don’t care how hard JLS have worked, I don’t care how club friendly this track is and I don’t care that many teenage girls will be wetting their panties over how many times JLS pout moodily into the camera or flash their abs. We have enough bland, generic and Auto-Tuned electropop in the charts at the minute – JLS use this template but add some cringeworthy and clichéd lyrics on top of that and their voices remain indistinguishable from each other due to the Auto-Tune “effect”.
”Went to the club, not looking for love”. Who goes to a club looking for love? People go the club for cheap, drunken sex.You can be the DJ, I can be the dancefloor, you can get up on me!” Excuse me while I vomit. ”Shawties all around but I’m focused on you!” Puh-lease you are not gangsta enough to throw the word shawty around – even if Justin Bieber uses it. And good luck, Aston finding a shawty shawter than you. So yup, The Club Is Alive is just a soulless cash-in record to appeal to the teenyboppers who are, no doubt, fuelling this whole generic, soulless electro craze. I know that manufactured acts have been around before but JLS make me so mad because they’re clearly squandering the talent they have for the floods of cash they’ll get in return. There’s nothing wrong with a fun dance track but The Club Is Alive just screams “GIVE ME MONEY!” and nothing more…which is really sad. 1 STAR

14. Lee Ryan: I Am Who I Am

Lee Ryan - I Am Who I Am
After the terribly generic
Secret Love which is being released officially this week, as a double A-side Blue band member Lee Ryan is releasing a ballad. Now I think of Mr. Ryan as being a less desperate male equivalent to Katie Price/Jordan but I have to say I’m surprisingly bolwed over by this heartfelt ballad. Maybe Ryan has a bit of musicality underneath his reality TV friendly body. Beautifully sang, some great lyrics and rousing yet lonely production, this is cream of the crop as far as male pop ballads go. Lee has managed to top Take That at this feat but it’s certainly opened my eyes to the fact that the guy might have talent after all. 4 STARS

15. M.I.A.: Steppin’ Up


And so the onslaught of promo singles begins. M.I.A.’S new album
/\/\/\Y/\ is out next week and alongside buzz single Born Free and the brilliant lead single XXXO we get three taster tracks from the new record. Steppin’ Up reintroduces us to the noisy and busy tracks by M.I.A.. Opening up with incredibly loud and crunchy drill noises amongst a tuneless vocal flow of “Rub-a-dub-dub”, the song isn’t for casual M.I.A. fans. However, once you get passed all the noise, you’ve actually got a gem of a chorus/hook? Basically it’s filled with nonchalant expletives but it has a futuristic paranoia about it that’s just going to fit in perfectly with the album theme and sounds like a good alternative dance track if it gets airplay in the clubs. 3.5 STARS

16. M.I.A.: Teqkilla (sorry no video…yet! Will update!)


I’ve actually just discovered that there’s a remix of this song featuring Nicki Minaj. Jeez, is there anything Nicki isn’t appearing on these days, let alone alternative artists like M.I.A.. Teqkilla is similarly as noisy as
Steppin’ Up but is definitely made for the clubs and raves. Full of loud and noisy techno effects and a trippy production, the song doesn’t have much to say apart from being incredibly infectious. A definite return to the sound of first album Arular. 4 STARS

17. M.I.A.: Tell Me Why (sorry no video…yet! Will update!)


The final promo single from
/\/\/\Y/\, this is definitely more mainstream. Starting off with a rushed intro, this Diplo produced jam quickly descends into a much calmer sound. M.I.A. sings/raps in a slower relaxed voice against a simple yet rhythmic military beat. This could be the second official single from the album. 3.5 STARS

18. MGMT: Siberian Breaks

File:Siberian breaks single.JPG
MGMT might have promised to release zero singles from their second album
Congratulations but clearly that doesn’t apply to promotional singles. Following on from first promo single Flash Delirium, Siberian Breaks is a 12 minute lesson in overindulgent, schizophrenia in music. Frontman Andrew VanWyngarden says that Siberian Breaks is like 8 songs strung together, all lyrically speaking about surfing across the Arctic Circle (as evidenced in the Congratulations cover) and he certainly isn’t wrong. While the track is actually rather great – a psychedelic homage to Beatles-esque pop, albeit with many changes in tempo and instrumentation, it would have been better if the group just split the whole track into several different songs rather than trying to be all “hipster”. Quantity is sometimes as important as quality in music. 3 STARS

19. MGMT: It’s Working

Another psychedelic track from the boys, the opening track from Congratulations is probably one of the more poppier numbers on the album, but nothing in comparison toElectric Feel or Kids. Again, I’m strongly reminded of The Beatles as this has a similar instrumentation of harpsichords, guitars and heavy drumbeats. 3.5 STARS

20. MGMT: Congratulations


This is one of the greater tracks from the album. The title track and album closer is a really laidback, sort of Summery track with watery piano chords, quiet and poetic vocals from Andrew and lightly strum guitars. Definitely the most radio-friendly track on the album.
4 STARS

21. Miike Snow: The Rabbit


The fantastic Swedes that are Miike Snow are back with this glam stomper. This is definitely one of the more commercial tracks on the album and sounds like a less manufactured Adam Lambert track with more intriguing lyrics and some better electro production. I hope radio picks this one up.
3.5 STARS

22. The Muppets: Popcorn

The Muppets - Popcorn
Yup, Kermit The Frog, Miss Piggy and co. are back with their own cover of the easily recognisable instrumental
Popcorn composed by Gershon Kingsley back in 1969. Really this barely differs from the instrumental; it’s all about watching the music video for all its novelty fun. 2 STARS

23. Nathan featuring Flo Rida: Caught Me Slippin’


British R&B singer Nathan returns with a new song which has a sort of old fashioned Summer feel to it, a bit like R. Kelly’s
Ignition but not anywhere near as good. This song just doesn’t really go anywhere. Bar the certain old skool urban charm underlying, this is nearly as generic as they come. Nathan doesn’t show much of his vocal chops off, the lyrics are tired and clichéd, there are no strong hooks and the song opens with an annoying J.R. Rotem siren. It’s surprisingly Flo Rida who steals the show here with his rapping flowing perfectly with the song. But when Flo Rida’s the standout in your song with a disposable rap, I think that means it’s time to go back to the drawing board. 2 STARS

24. Peggy Sue: Yo Mama

Peggy Sue - Yo Mama
The folky Amy Winehouse returns with another single featuring folky instrumentals and Amy Winehouse-esque vocals. It’s a rousing track with some lovely use of accordions but doesn’t sound especially different or likely to blow you away. As I’ve said for previous single
Watchmen though, Peggy Sue shows lots of promise as an artist. 3 STARS

25. Primary 1: Princess

Princess
This has a part naff ‘80s sound and also little parts that have an experimental edge. I shouldn’t like this track but I do. There’s something very listenable about it. The video is also excellent and I recommend you watch.
3 STARS

26. Wiley featuring Jodie Connor and J2K: Electric Boogaloo (Find A Way)

Electric Boogaloo
Sorry Wiley, but Dizzee Rascal did it first. Yet another grimy track desperate for crossover success, Jodie Connor seems to be building a reputation for singing poppy hooks over rap tracks. I will give it a decent-ish score for having a Summery club feel, a decent hook and for being mercifully short though.
2.5 STARS

Singles Reviews Diary 6 – 12th March 2010

It’s getting even earlier and earlier…but I have my reviews for singles being released on Monday this week. Cos I’ll most likely be busy. It’s a whopping 37 singles I’ll be covering this week (all though not all of them will be major releases).

As per usual, here are my thoughts on all major singles being released next week on:

Singles Reviews Diary 6 – 12th March 2010:

01. All Time Low: Lost In Stereo
Nothing remotely original about this at all, but if you’re like me and into you’re uptempo emo cuts, you’ll love this.
2.5 STARS

02. Ash: Dionysian Urge
I only continue to review/mention singles from Ash’s
A-Z Series because I’m pedantic and can’t bare to leave them out. This is Single Letter L so there’s still a bit to go until Ash finish this project and hopefully release something a little more hyped up. If you like Ash, then you won’t mind spending 99p/99c on this single. 3 STARS

03. Band Of Skulls: I Know What I Am
A big stomping garage rock tune from the up and coming British rock band. It has a great chorus and if radio picks it up, it could be a big hit for the group.
4 STARS

04. Black Eyed Peas: Imma Be
Seeing as the futurtastic
Imma Be Rockin’ That Body mash-up video seems to be getting a nice amount of airplay on the music channels, there is a small chance this song might chart in its own right. Really, its probably a good thing that this song is only being officially released over in North America, because this wouldn’t be an ideal single on this side of the Atlantic. This song is very hit and miss. Like previous hit My Humps, you’ll either find this very catchy, very irritating or both. The BEP repeat the words Imma Be about 100 times throughout this song, they show off some urban swagga, send out messages of positivity (yet again!) and the whole thing has that schizophrenic quality that a lot of tracks on The E.N.D. have, changing tempo about 3 times throughout. If you like what you hear, then get downloading. If not then, don’t.2.5 STARS

05. Black Eyed Peas: Rock That Body
The Black Eyed Peas go all Daft Punk on this David Guetta produced track. While not instantly accessible or poppish as
I Gotta Feeling and Meet Me Halfway, this pulsating electro tune is rather brilliant. Definitely one of the better songs to dance to in a club, this single fits best with The E.N.D.’s futuristic theme. My only concern is a lack of normal voiced Fergie (she been swallowing far too much helium on this song) but the Black Eyed Peas seem to be unstoppable this year with everything they touch turning to chart gold. 4 STARS

06. Cheryl Cole: Parachute
Like
Fight For This Love, this sounds terrible at first. However, after a few listens, this quickly infiltrates your brain until you don’t mind hearing it anymore. I wouldn’t give it 5 stars but this is a pleasant enough listen. Good stuff although ironic at this for Mrs. Cole/Ms. Tweedy. 4 STARS

07. Chris Brown: Crawl
Poor old Chris. Is his career on the downfall because of what he did to Rihanna or is it because his latest LP
Graffiti a substandard bland affair. Good points out of the way first, this has a lovely sparse intro and the strings are suitably dramatic. The video is also rather good too. But this is a ballad that is so generic, so bland, so lacking in any identity with its lyrics and vocals that any R&B singer could have pulled it off. I know I’d much rather listen to Jason Derulo sing this song. 4 STARS

08. Chris Brown featuring L.A. The Darkman: In My Shoes
As well as promoting
Graffiti, Brown has also released the mixtape In My Zone. As you’d expect, this just sounds like an underground version of I Can Transform Ya. Chris sings about a girl with a nice ass and a skinny little waist. Wow, Chris you’ve convinced us all, you’re so ghetto. L.A. The Darkman shows up for the customary rap.1 STAR

09.Craig David: One More Lie (Standing In The Shadows)
For his new album
Signed Sealed Delivered, Craig David will sample old Motown classics and give them a modern twist. On this new single from the album, he delivers by sampling The Funk Brothers Standing In The Shadows over some ravey production. To be honest, I’m done with Craig David. I don’t like his voice and I don’t like any of his new material. This is okay, I can’t see it being a huge hit. 2.5 STARS

10. Delphic: Halycon
The Teens Decade’s (2010-2019) answer to New Order return with this brilliant new single. Like their criminally underselling previous single
Doubt, this takes a few listens to reach its full catchy potential. Hopefully this charts better than Doubt. 4 STARS

11. Drake featuring Lil Wayne and Young Jeezy: I’m Goin’ In
I really like Drake. I really don’t like crude slimy Lil Wayne and horse voiced Young Jeezy. They make an otherwise underground solid hip-hop track less enjoyable.
3 STARS

12. Drake: Over
After months of releasing mixtapes and appearing on other peoples’ records, Drake releases his first proper single from his first proper album. Things look promising with this track, a moody and brooding “fuck you” to all his detractors. Despite cracking the Top 30 in the US, this is more alternative but the wonderful production should see it get some mainstream attention.
4 STARS

13. Elaine Doonan and Pete Fagan: Haiti Child
Another week, another Haiti single. This is a nice yet unextraordinary live acoustic cover by little known Irish singers.
2 STARS

14. Erykah Badu: Window Seat
Wow just discovered this girl and wow she is good! With lovely silky vocals and a smooth R&B production, she sounds like a modern day Macy Gray.
4.5 STARS

15. Glee Cast: Don’t Make Me Over
Jennifer Hudson Junior is perfect for this retro styled cover of the soulful Dionne Warwick track. A great way to start of this week’s episode Hairography.
3.5 STARS

16. Glee Cast: Papa, Don’t Preach
Again, another epic cover by the Glee Cast. Pregnant Cheerleader is perfect for this acoustic cover of Madonna’s 1986 smash. Her voice works so well with this song.
3.5 STARS

17. Glee Cast: Imagine
The Glee Cast are on a roll this week, this is an actually amazing heartwarming cover of the John Lennon classic.
5 STARS

18. Glee Cast: Bootylicious
Glee goes Destiny’s Child with this karaoke rendition. Probably the weakest cover in this week’s episode.
2.5 STARS

19. Glee Cast: True Colors
The Quirky Girl With The Fake Stutter gets her chance to shine with her cover of Cyndi Lauper’s
True Colors. Its perfectly fine but Quirky Girl hasn’t a very distinguishable voice. I would have much preferred if she cover “Puh-puh-puh-poker face, puh-puh-puh-poker face”. 3 STARS

20. Glee Cast: Hair/Crazy In Love
This is another amazing mash-up by
Glee and it features my two favourite characters – The Wheelchair Guy and Jennifer Hudson Junior. It’s brilliant and is the most likely tune to break the chart next week. Hairography is an episode you do not want to miss. 4.5 STARS

21. Groove Armada featuring Will Young: History
Very ’80s and very good. I must go out and buy Groove’s new album
Black Lightsoon…and I recommend you do too. 4.5 STARS

22. Jamie T: Emily’s Heart
Jamie T is a wonderful songwriter and this single from sophomore album
Kings And Queens showcases that perfectly. Sounds a bit like The Streets. 4 STARS

STINKER OF THE WEEK!
23. Justin Bieber and Sean Kingston: Eenie Meenie
I was going to award Stinker of the Week to Justin Bieber’s other song but I decided that this promo single is even more dire. This is a joint collaboration from the tween…sorry teen…heartthrob and the irrelevant Jamacian singer/rapper. Built around the juvenile “Eenie Menie Minie Mo” rhyme, Sean and Justin sing about an “eenie meenie mo lover” (sounds explicit for someone whose not legal yet) and refer to her as “shawty” throughout the song. Yeah guys, cos ye are so tall. This song is terrible. Terrible. Boring R&B. Has a Summery vibe but still crap. Has to be heard (for free) to realise how terrible it is.
1.5 STARS

24. Justin Bieber: Baby
I have nothing personal against the Biebmeister but if he continues to release such generic R&B junk, I’m gonna keep up my criticisms. This, for me, is worse than
One Time. The chorus is just a lazy man’s way of being catchy, repeating “Baby” over and over again. Justin’s voice also sounds weak on the chorus. Ludacris turns up to spit out some uninspired verse about his tweenhood. Can I ask why cool rappers like Ludacris and Drake (who appears in the video) want to hang around with a bunch of 15-year-olds? Like come on! 2 STARS

TRACK OF THE WEEK!
25. Lady GaGa featuring Beyoncé: Telephone
GaGa might be pretentious and fond of using gimmicks but you can’t deny her talent, creativity and her knack for writing some amazing pop songs. This will hopefully be GaGa’s fourth Number 1 in the UK. Originally written for Britney Spears, it’s a good thing GaGa held on to this for herself because only she could pull off the restrained harp backed intro and outro, the speedy club friendly production and sirens, the countless number of hooks and the fast paced verses. Beyoncé almost steals the show with her raspy verse, but after her being the lead artist on their last collaboration
Video Phone(which was a real stinker), it’s only right that Lady GaGa shines on this much better offering from the pair. 5 STARS

26. LIGHTS: Ice
Yes! A brand new find! A much cooler, female version of Owl City. LIGHTS is a one woman band who writes and plays her own New Wavey electropop tunes. Sounds like a bit like
Blackout Britney. 4 STARS

27. Major Lazer featuring Vybz Kartel: Pon De Floor
This combines rave and dancehall quite effectively. Great production but we’ve heard it all before.
3 STARS

28. Michael Bublé: Cry Me A River
Housewife favourite Michael Bublé returns with the second single from his crazy selling album
Crazy Love. The intro to the Canadian crooner’s new song is epically dramatic and his voice is very powerful but this ballad doesn’t really go anywhere. Could be a nice James Bond theme. 2.5 STARS

29. Paloma Faith: Upside Down
Paloma changes pace with the third single from her brilliant debut album,
Do You Want The Truth Or Something Beautiful? After teary eyed ballads like Cold Stone Sober and New York, this is a much more lively track from the multi-talented soul artist. 4 STARS

30. Rod Stewart: (You’re Love Keeps Lifting Me) Higher And Higher
Rod Stewart releases this solid but really unnecessary cover of the Jackie Wilson classic. Rod Stewart fans will lap it up but for everyone else, this will hardly be a blip on your radar.
1.5 STARS

31. Rowetta Howett: Beautiful Lies
Anyone remember Rowetta? Nope neither did I! She got to the Final 9 (yup, it was the Final 9 as opposed to the Final 12 back in those dark days) of the first ever series of
The X-Factor. She was also the first to be knocked out of those live finals. Her debut single is actually rather nice, nothing out of this World. Showcases that she has talent though. 3 STARS

32. Rox: My Baby Left Me
Much like Noisettes
Don’t Upset The Rhythm (Go Baby Go!), this could be a massive crossover hit if it gets enough airplay. A super catchy soulful indie track! 4.5 STARS

33. Skepta: Bad Boy
A slicky produced grime track. Much like Rox, this could be a massive crossover hit. Much better than Tinie Tempah, in my opinion.
3 STARS

34. Snoop Dogg: Rida Man
Snoopie samples the
Spiderman theme in this novelty promo single. I like it but its nothing amazing. 3 STARS

35. Snoop Dogg: I Wanna Rock
A solid old skool hip-hop track that samples Rob Base and DJ E-Z Rock’s 1988 song
It Takes Two. It Takes Two is popular this week has the Black Eyed Peas have also sampled the song for Rock That Body. But while Black Eyed Peas shoot to the future, Snoop sticks to keeping the song in the past. 3 STARS

36. Three 6 Mafia vs. Tiësto featuring Flo Rida and Sean Kingston: Feel It
Wow, I’m pleasantly surprised that a song featuring my “two favourite artists” Sean Kingston and Flo Rida could be so good. Thanks to Tiesto’s fast paced production, this is a great club banger and driving song combined. Love it!
4 STARS

37. T.I.: I’m Back
T.I.’s comeback from prison song. I like T.I.’s so I won’t knock this too much but we’ve heard this kind of track from him (and many other rappers) many times before.
3.5 STARS

38. Timbaland featuring Bran’Nu: Meet In Tha Middle
Timbaland continues to release promo singles from his poor selling
Timbaland Presents Shock Value II album. This is a really great rap track and has that old skool feel of some of his earlier tunes. Brandy (of Moesha fame) also shocks by unleashing her rapping alter ego Bran’Nu and she’s just fantastic at it. One of the few artists who can rap as well as they sing. 3.5 STARS