Single Reviews Diary 25 – 23rd July 2010

I’MMMMMM BACCCCKKKKKK!!!!!!

Anyway for those of you wondering where I was – my laptop charger broke and I was left Internet-less for a whole two and a half weeks! You won’t believe the trouble I have had trying to find a laptop charger. Thankfully my dad is quite handy with electronics and he managed to do a rather crude job of fixing my laptop charger. Still, the charger seems to be stable, intact and powering up my computer again so time for me to power up my writing skills and catch up on the three SRDs that I’ve missed so far.

Naturally, these reviews are going to be shorter than usual because I simply have so many things to get out of the way. At least, there will be a lack of my infamous rambling. There will also be no single artwork or video links because I have no time. Go search yourself, you lazy bums! 😛

Lots of 5 STAR singles this week! 😀

Single Reviews Diary 25 – 23rd July 2010:

01. Ali Love: Smoke & Mirrors
This British singer provides something a little different to the dancefloor with this tune from his sophomore album Love Harder. Rather than overly Auto-Tuned Europop, instead we get some funky disco. The skittering ‘80s synths of this track are the real standout of this song. While the verses and chorus are relatively catchy, it doesn’t sound very different from anything Pet Shop Boys, MGMT or Sam Sparro would do. Still, this is something I’ll have no problem bopping to on the tiles this Saturday night. 3.5 STARS

02. Amy Macdonald: This Pretty Face
I was a massive fan of Amy Macdonald’s debut album This Is The Life but her sophomore effort A Curious Thing has failed to live up to my standards. The whole project just feels tired and like a rocked up rehash of her first LP with the whole tracklisting just feeling stale in comparison to her older songs. While her previous two singles Don’t Tell Me That It’s Over and Spark grew on me immensely, I haven’t enjoyed this track at all. Sounding like her album track Footballer’s Wife, Amy’s rich voice is not enough to save this ultimately dull song. The chorus is weak and meandering, the instrumentation is nothing extraordinary and the lyrical content, while true, is just more tired celeb bashing. I find Amy likeable, talented and wise beyond her years but she’s really going to have to come up with something more exciting for her next musical project.2.5 STARS

03. Chicane featuring Owl City: Middledistancerunner
There’s a definite case of recycling going on here. While Chicane’s trademark euphoric synths and Owl City’s (a.k.a. Adam Young’s) trademark emotive whining work well together on this track to provide a lonely dancefloor anthem, the two are on autopilot for this track, never straying outside their comfort zone. This sounds more like a mash-up of Hiding All The Stars and Umbrella Beach rather than a brand new single. Granted both songs were pretty cool so… 3.5 STARS

04. Crystal Castles: Baptism
After releasing their brilliant promo single Celestica over here, Canadian duo Crystal Castles are releasing their first proper brand of ethereal trance over here. UnlikeCelestica, this track is unlikely to have any crossover appeal because the song barely contains any vocals apart from a icy pulsing dance beats and high pitched, barely distinguishable screaming from singer Alice Glass who reminds me of Yeah Yeahs Yeahs Karen O on this track. While this is not a song for the radio, it is actually an IMMENSE club track and will definitely go down a storm with me when it’s played there or pumping out of my car like the boy racer I so desperately want to be. 4.5 STARS

05. Drake: Find Your Love
Drake is without a doubt one of the most exciting rappers to climb out of the woodworks recently, reminding many of a young Kanye West. The only problem is that Drake sounds a little to like Kanye and this track sounds like a cut from West’s Auto-Tune heavy album 808s & Heartbreak. Despite, Drake’s eerily similar flow to Kanye’s and Kanye’s production credits on this song which push the track into unoriginality, Drake makes this song his own by crooning out a vulnerable, heartfelt chorus. While he doesn’t have one of the strongest vocals about, Drake ditches the rappingand sounds nothing but sincere as he sings all melancholicon the track. The laidback yet primal production on the track give it a warm Summery feel that still grabs your attention thanks to its loud squelchy beats. Now if only I didn’t keep going to my 808s & Heartbreak CD everytime I listen to this song, it might score higher. 3.5 STARS

06. Fugative: Bad Girl
Fugative is basically a puberty conquering Justin Bieber meets Chipmunk. He’s quickly causing the hearts of girls to race with his youthful, 16 year old looks but sounds nearly exactly like Chimpunk, in both his flow and musicality. Which is not really a good thing. I am so sick of this urban pop crap trying to get its way into the charts. These guys are hailed as the new princes of grimes and then they go along and rap about shallow subject matters and get someone else to sing a dreadfully Auto-Tuned catchy chorus on their song, without even crediting said vocalist, which I think is just plain rude. It’s clear Fugative is looking for crossover appeal, judging by this single and its predecessorCrush but he’s going to need to do something a little more original if he wants to get noticed. Unlike Bieber, Fugative doesn’t have the best team or Usher behind him to ensure his looks allow him to go all the way. 3 STARS

07. Goldfrapp: Alive
Okay so this single was cancelled but since the duo went to the trouble of filming a video for it and with its ascent to the top of the US Dance Charts, I feel it’s only fair that it deserves a review. This track is gorgeous and heavenly with Alison’s sweet, soaring vocals providing a magical chorus that is far catchier than you’d first give it credit. It’s not as infectious or singalong as their floptastic Rocket but it does the job of keeping up with their consistent singles catalogue. 4 STARS

TRACK OF THE WEEK!
08. Gorillaz: On Melancholy Hill
A simply marvellous laidback Summer pop tune with enough organic quirkiness to make you feel like you’re transported to another World – which is where the Gorillaz ingenious appeal applies. Damon Albarn’s soft mumbling works perfectly against the skittering chirpy synths and epic backing vocals of the track. It’s official, Gorillaz are one of the most innovative, sonic pleasing bands of our time. 5 STARS

09. Grafitti6: Annie You Saved Me
A really promising new band. Okay, so indie singer Jamie Scott and TommyD are no strangers to the music industry but now that they’ve teamed up, they’ve managed to create a really appealing song. Scott (sure to set many a female heart a flutter) is a mighty vocalist and TommyD manages to produce a song that marries rock and electro perfectly. What we get is a song that manages to have an indie sound to it but enough pop smarts to please casual listeners. If only the track had a catchier chorus… 4 STARS

10. Katie Melua: A Happy Place
Katie Melua has quickly become one of my most favourite female artists with her latest album The House. Following on from the sonic masterpiece that is The Flood, A Happy Place doesn’t quite live up to the standards set by its predecessor but still contains plenty of charm and avant garde influences. Seriously I think KM is the new Bjork! This track sounds a little like her earlier work, which is either a mildly bad thing or a very good thing. The verses are sang in a whimsical, run-on way and the lyrics have an other-worldly feel to them and although I am reminded slightly of her irritating signature hit Nine Million Bicylces with this song, the music has enough quality to stand on its own and almost erase that memory from my head. 4 STARS

11. LCD Soundsystem: I Can Change
LCD Soundsystem, a.k.a. James Murphy’s latest single from This Is Happening lacks the energy of previous single Drunk Girls. While the sparse wonky electro and Murphy’s vocals are on point, the song isn’t particularly exciting or interesting. It sounds like strong album filler and probably shouldn’t have been chosen as a single. 3 STARS

12. Lissie: When I’m Alone
This single was released a while back but I didn’t bother reviewing it because…y’know…I can’t review everything. Since Lissie has been met with much hype and critical acclaim since, I feel like I have to throw my two cents into the mix. I’m glad I listened to this tune because the former YouTube star from Illinois lives up to the height. Starting off in stunning acapella, Lissie reminds one of Fleetwood Mac’s legendary Stevie Nicks but can stand on her own with a building folk backing and a powerful, catchy chorus which sounds like a raspier Florence Welch. Definitely checking out this chick’s album if the songs are as good as this. 5 STARS

13. The Pipettes: Call Me
Unlike Girls Don’t Catch (RIP) and Mini Viva, The Pipettes are unlike them as they don’t appear to be interested in cracking into the mainstream with any of their singles. The ladies don’t have a Top 20 hit to their name but that actually makes them appear less manufactured than the other competitive girlbands such as The Saturdays, Girls Aloud, Mini Viva and Sugababes. Mini Viva are a rather posh band you see and the second single from their album Earth Vs. Pipettes is another slice of shameless ABBA-esque pop that is a little cheesy for my taste but I know would appeal to certain major pop enthusiast so I’d recommend if ABBA, Spice Girls and early Take That are at the top of your record collection, giving this single and its parent album a try. 3.5 STARS

14. Plan B: Prayin’
This is a rousing dramatic third single from Plan B. I recently bought his The Defamation Of Strickland Banks LP and I’m in love with it. This is the album’s standout track, being a large orchestral ballad that is simply epic, no question! The prison riot video that accompanies the track only further highlights the cinematic nature of the song and fits with it perfectly. 5 STARS

15. Preeya Kalidas featuring Mumzy Stranger: Shimmy
Ugh, this is terribly generic. While former EastEnder Preeya Kalidas, better known to some as Amira Masood (the only hot person in EE), doesn’t take the overused Auto-Tuned dance route, her music is still lacking in soul. With clichéd lyrics about “not frontin’” and a tired Middle-Eastern urban pop backing, I just can’t get behind this song. While the bhangra influences are apt considering Preeya’s and guest rapper, the unfortunately named Mumzy Stranger’s, ethnicities, the song just comes across as a completely corporate and comparable to Alesha Dixon or Sugababes 4.0 – which isn’t very good to be honest. Mumzy’s guest rap, where he does his best Sean Paul impression, is completely uncalled for too. I will say this though, Preeya has a much better voice than I expected from her – her vocals are really strong and commanding. Perhaps with the release of her album this September and a better second single, she might be able to turn this cheap mess around. She’s got the looks, fame and talent to do it! 2 STARS

16. RPA & The United Nations Of Sound: Born Again
The Verve’s Richard Ashcroft has set out on a new project with his brand spanking new band The United Nations Of Sound. Unlike his work with The Verve which was generally cold symphonic rock, his new music sees him embrace some Gospel style rock with an uplifting sound and harsh yet impassioned vocals. While this is nowhere near as good as anything the Verve have put out and with the album receiving mainly negative reviews, things don’t look good for Ashcroft’s little venture but this isn’t a bad lead single at all.3.5 STARS

17. Swedish House Mafia featuring Pharrell: One (Your Name)
The Swedes are basically running pop and mainstream dance music at the minute so it’s about time three Swedish producers in Axwell, Steve Angello and Sebastian Ingrosso teamed up with American rapper/producer Pharrell for a masterful dance smash. This is screaming at you to get that thang popping on the dancefloor because those massive pounding synths, bassline and Pharrell’s surprisingly commanding, sometimes warped vocals are just the perfect tonic to forget your troubles and just dance. Wow that line was clichéd and sounds like I’ve taken it from every pop song circa 2009 to 2010 but I’m tired. Great dance tune, a little unoriginal but completely thumping. Great work to all involved. 4.5 STARS

18. Tom Jones: Did Trouble Me
Wow! Tom Jones is certainly impressive with his second A-side single from his latest album Praise And Blame. Ditching the guilty pleasure naff pop of his earlier records, Jones is really suited to the stripped back Gospel rock of this new album. Rousing yet intimate and undoubtedly sounds great live, Tom sings the lyrics of this song with great passion. 5 STARS

19. Tom Jones: Don’t Knock
Jones is in upbeat mode for this foot-tapping country tune. This is really very good with some great female backing vocals and shows that Tom has plenty of energy for his age. If you’re not a fan of country music, this is hardly going to peak your interest and it doesn’t really standout from other country tracks but it still will prove to go down a storm at Tom’s live shows. 4 STARS

20. Travie McCoy featuring Bruno Mars: Billionaire
This song isn’t going to change the World but it’s a fun and beautiful Summer pop tune. Bruno Mars continues to be a scene stealer on the two singalong choruses of this song, having last won us over with his romantic vocals on B.o.B.’s Nothin’ On You and Travie’s cheeky chappy rapping against a bouncy reggae backing is completely charming. Unlike the majority of rap tunes, Travie doesn’t just about material possessions and getting in girls’ panties, although, they understandably are part of the lyrical content too, but also rhymes about adopting kids that ain’t as fortunate as him and donating money to the victims of Hurricane Katrina. No doubt, radio is going to play this to death and perhaps Travie could have delved deeper lyrically and less superficially into the track but as a fun, relatable Summer pop tune, this does the trick! 4 STARS

21. Wallis Bird: An Idea About Mary
Hippie chick Wallis Bird sings in an Irish accented voice for this autobiographical, folk track with some witty, relatable lyrics that are odds with the morbid subject matter which detail the death of a woman named Mary. Wallis manages to really appeal with the anguished chorus and climax of the song but the humdrum production and verses sadly suck the momentum out of that stunning chorus and hence ruin this from being a defining single. Sad. 3 STARS

22. The Wanted: All Time Low
I’m sorry but this song is completely lame. Okay, not completely lame but not much better from what JLS are inflicting upon. I’m not exactly excited about the sudden resurgence of popularity in boy and girl bands because boy and girl bands are just corny, products of sex that make shoddy, manufactured music. I do quite like the pompous strings during the first minute or two of the song, some of the guys have interesting voices and the chorus does quickly bury itself in your head but the song just feels very clunky, random 😉 and unfinished. Like a demo or something. The way the song builds up from pompous indie ballad to ravey pop tune just brings back too many bad memories of JLS’ One Shot and the video has to go down as one of the worst clips of 2010. They look so corny jumping around in the air with flares, repeating ”low-a-low-a-low-a-low” over and over and over again. Aren’t they supposed to be in the throes of depression? Why are they dancing in a crumbling warehouse? Probably hoping the building falls on them, I guess. 2.5 STARS

23. Yolanda Be Cool and D-Cup: We No Speak Americano
Please, one Riverside (Let’s Go) is enough! I do not want another gimmicky, irritating dance tune, thanks! You can call me boring and humourless but even when off my face in a club, this headwrecking tune still remains unappealing to me. I researched last weekend, y’see. And Yolanda Be Cool have lost all credibility as a starting out band. 1 STAR

STINKER OF THE WEEK!
24. Young Money: Every Girl In The World
Originally released as the record crew’s first single in the US back in April 2009, the song has now been released over here for a bid at Irish and British stardom. Well it’s not going to get it because unlike there previous hit Bedrock, this song lacks a strong chorus or an interesting production. This is your typical misogynist hip-hop track with pain-wrenching use of Auto-Tune from Lil’ Wayne, Drake, Jae Millz, Gudda Gudda and Mack Maine (“Who?” at the latter three). There is absolutely nothing redeemable about this track. 1 STAR

I will hopefully have next week’s SRD tomorrow evening and the week after the day after – hopefully! 😀

Maroon 5 back with new single ‘Misery’

Radio friendly rockers Maroon 5 are making a comeback…with new single Misery. Sounds a little dark and brooding, doesn’t it? No need to worry though! This is classic upbeat and funky Maroon-5 which is either a good or bad thing depending on your preference for the Adam Levine fronted group. The track is the lead single from the band’s third studio album Hands All Over which is set for release on 21st September.

According to Artist Direct.com, the album will be released via A&M/Octone and will feature production duties from Mutt Lange (Def Leppard, AC/DC). The album will boast 15 tracks including a country tinged ballad which features the latest ‘it’ country band Lady Antebellum. Other musical acts rumoured to be appearing on the album include melancholy electro artist Owl City, former American Idol winner Kris Allen and British soul singer VV Brown. Hmmm, interesting.

As for the single itself. I’m a bit meh. The song is enjoyable enough but doesn’t see the band move to far outside the box with their sound. In fact, this sounds like Makes Me Wonder 2.0.

At least Adam acknowledges this by stating:

“Misery is about … the desperation of wanting someone really badly in your life but having it be very difficult. Kind of what all the songs I write are about,” Adam told MTV. “I’m not treading on new ground, but I think a lot of people — including myself — deal with that all the time. Relationships are difficult, and it’s good therapy to write about them.”

{Source}

The music video for the single has already been filmed and has been directed by Joseph Kahn, who has recently directed videos Kylie Minogue’s All The Lovers and Katy and Snoop’s #1 smash California Gurls.

The video was filmed in downtown Los Angeles with Adam’s real life girlfriend Anne Vyalitsyna playing the leading lady.  Here’s what Adam has to say about the video:

“I thought it was really amazing,” he commented on the treatment Joseph works for the clip. “Because it kind of turns the whole idea of the sexual energy between two people – a guy and a girl, a music video, you’ve seen that a million times – that exists in this video, but it’s turning it on its a** and having the girl be the more domineering one who’s trying to kill me. We decided to focus on violence instead of sex this time around.”

Sounds like it will be a fun video. For now though, you’re going to have to watch this mimed fanmade video of the song below.

Singles Reviews Diary 15 – 14th May 2010

Another week of singles, another week of reviews. Sorry it’s a bit late – I’ve been quite lazy the last few days.

Singles Reviews Diary 15 – 14th May 2010:

01. Alexandra Burke featuring Pitbull: All Night Long
Despite a #1 album, a #1 single and another Top 10 hit, Alexandra’s success as the winner of The X-Factor seems to be eclipsed somewhat by fellow contestants JLS and the fact that there’s a new ‘hot’ female artist every week. Thankfully, All Night Long is the most instant hit from Alexandra’s debut album. While previous singles Bad Boys and Broken Heels were pretty hit and miss, All Night Long is a song that makes you want to instantly jump on the dancefloor with it’s hypnotic seductive bassline, Alexandra’s smooth and commanding vocals and its catchy chant-along chorus. The song has a beautiful euphoric feel to it also. However, this has tampered with somewhat by the addition of a rap from Pitbull. This does nothing to help the song and the album version of this track would have done just as well. I guess Alex is just desperate to crack the American market. However, Pitbull’s verse is pretty ignorable so the song still remains a pleasurable listen, especially after a few shots at the bar. 4 STARS

02. Amy Macdonald: Spark
The talented Amy Macdonald might have scored a #4 album in the UK with her sophomore album A Curious Thing but lead single Don’t Tell Me That It’s Over peaked at a disappointing #48. This single doesn’t look like it’s going places either, sadly. Despite a powerful chorus and some Snow Patrol-esque guitar work, Spark kind of paints Macdonald as a one trick pony. Maybe because I was a massive fan of her debut This Is The Life but Spark just sounds like so many other songs she’s done before, one of the many songs from the album that sort of sees one Amy Macdonald song blend into the other. Spark, however, is a decent single amongst an album of lacklustre material.3 STARS

03. Atari Teenage Riot: Activate
German bands are obviously all the rage this week with this being the first of the nation’s band to release a single this week. This is a pretty aggressive house punk track. Nothing particularly original but should be enjoyed by some. 3 STARS

04. Band Of Skulls: Death By Diamonds And Pearls
Britain’s answer to The White Stripes is back with another single from their album Baby Darling Doll Face Honey. I know I shouldn’t make comparisons as often as I do but this sounds like some decent filler on a White Stripes album. In other words, it’s no Seven Nations Army, more a plodding garage rock track that doesn’t go anywhere. Band Of Skulls, of course, are capable of producing much greater tracks – Friends and I Know What I Am being perfect examples so I wouldn’t worry about releasing the odd lacklustre single now and then. 2.5 STARS

05. B.o.B. featuring Bruno Mars: Nothin’ On You
My current favourite rapper B.o.B. releases his debut single over here. With a soothing, Summery mid-tempo production and some romantic croon from the Jason Mraz-like Bruno Mars, this is the perfect single to release for this season. In fairness, B.o.B.’s rapping isn’t anything extraordinary (despite some witty verses about a girl who pays her taxes and comparing their romance t a Nintendo 64.) and like many rappers these days, depends on a guest vocalist for his singles. However,B.o.B. is showing that hip-hop has a future beyond rapping about shawties gettin’ down in a club and he firmly picks up the reins from the increasing quiet yet innovative Andre 3000. 4 STARS

STINKER OF THE WEEK!
06. Boyzone: Love Is A Hurricane
“One step forward and two steps back”
These are two lines of the chorus that sum up this song perfectly. Gave It All Awaymight have been a fairly bland ballad but at least it sort of fit in with the Boyz adult contemporary sound in a Take That kind of way, Love Is A Hurricane is dated and as naff as the video which would put JLS to shame with the amount of skin exposed and cheesy choreography (except at least JLS can dance). It’s more up-tempo and catchy than what we’re used to hearing from and many disagree with me, believing its better than Gave It All Away. Whatever! Once again, Boyzone fail to live up to the standards of their ‘rivals’ Take That in making good quality music since their return. 2 STARS

07. Chemical Brothers: Swoon
Taken from new album Further, the intro to this experimental electronica track faintly reminds me of the Skins theme tune, composed by Fat Segal. Swoon is a strong comeback single from the British duo that is sure to keep their many fans happy. It’s nothing new from them exactly but why fix it if it ain’t broke. 4 STARS

08. Chiddy Bang: Truth
After delighting with their sampling of MGMT’s Kids on previous single The Opposite Of Adults, Chiddy Bang are at again with their second single Truth, this time sampling Passion Pit’s Better Things. The song works thankfully due to Chiddy’s rapping and the slightly euphoric dance sound taken from the Passion Pit song. However, I don’t think their sampling works as smoothly as it did last time and does their over-reliance of sampling affect a long term career in music for the duo? I think so because people are likely to get bored of it quick. 3 STARS

09. Duke Special: Wanda, Darling Of The Jockey Club
The very talented and innovative Duke Special is back with another 1940s inspired gem. This piano laced ditty is actually a pretty nice toe-tapper, made all the more interesting by Duke Special’s Northern Irish tinged accent. 4 STARS

10. Ellie Goulding: Guns And Horses
Now that Starry Eyed is being played on an irritatingly sickening level on radio, it’s great to see that Ellie has a new single out. Guns And Horses is probably my favourite track on Ellie’s debut album Lights, mainly because it injects a very agreeable folk sound into her music and ditches the Auto-Tune which made the formerly good Starry Eyed so unbearable now. Her distinctive vocals won’t be for everyone but there’s a lot of longing and emotion in them so it should keep fans happy. I hope Ellie will do something a little more folky for her next album because I really really like this track and could listen to a whole album of similar sounding tunes to this one. 4 STARS

11. Glee Cast: Jessie’s Girl
One of my most favourites tracks from the 1980s – Rick Springfield’s Grammy Award winning Jessie’s Girl is absolutely butchered by Cory Monteith’s Finn this week. The instrumentation is pretty much identical to the original so that’s a good thing but Finn’s breathless vocal delivery of the song just doesn’t work at all. I know the song fits with the storyline but how about having – maybe Puck or even Artie – to sing the song instead because that was underwhelming. I’ll tell you why Rachel (my future wife Lea Michelle) doesn’t want you Finn, it’s because you’re standing in front of her singing but looking like you want to take a dump on the floor with your constipated facial expressions. Not cool, man. 2.5 STARS

12. Glee Cast: The Lady Is A Tramp
Now, this is more like it. The Puck character (Mark Salling) gets a chance to sound like a modern day Humphrey Bogart in the jazzy 1937 show-tune cover, only to be joined by the soulful Mercedes (Amber Riley) towards the end. What we get is something the right side of retro, love it. 4 STARS

13. Glee Cast: The Boy Is Mine
I had forgotten how good R&B heavyweights Brandy and Monica’s The Boy Is Mine was and it’s brought to justice by Mercedes and Santana (Naya Rivera), who I think we get to hear sing for the first time solo. She has an excellent R&B voice, nothing that could blow Riley’s vocals out of the water but still pretty strong. The two girls’ vocals blend well together. 4 STARS

14. Glee Cast: Rose’s Turn
Could Kurt (Chris Colfer) be the best male singer in Glee? I think so. In this theatrical number taken from the play Gypsy: A Musical Fable, Kurt vents out all the anger and emotion at his father in what is a very good performance full of building tension. It could be the best song in Glee this week. 4 STARS

15. Glee Cast: One
The closing number this week for Glee is a cover of One by U2 (or U2 and Mary J. Blige). Unlike with Jessie’s Girl, Finn gives it all with his constipated vocals and if you don’t watch the video, he actually sounds very strong and powerful. Rachel is also very good as usual and Mercedes jumps into throw some of her crazy ab-libs. Joined by the rest of the harmonious cast at the end, the cover manages to convey a lot of emotion but doesn’t have that goosebump feeling you get when listening to Don’t Stop Believin’or Like A Prayer. Still a very strong effort. 4 STARS

16. Gorillaz featuring Gruff Rhys and De La Soul: Superfast Jellyfish
I’m so annoyed no video has shown up for this single yet. This is a fantastic follow-up to previous Track Of The Week Stylo sees the Gorillaz joined by Super Furry Animals Gruff Rhys and critically acclaimed rapper De La Soul as they satirise commercialism in the developed World. It’s all a bit daft really but while many found Stylo lacked any real chorus or hooks, Superfast Jellyfish is probably the most infectious song on Plastic Beach. All three collaborators shine here – Gruff Rhys with his goofy deep cartoonish vocals, De La Soul with his confident raps and the Gorillaz themselves with their relaxed, nonchalant chorus all amongst a backdrop of aquatic bouncy synths and sampling of an American commercial from the 1980s. Now bring on the video already! 4 STARS

TRACK OF THE WEEK!
17. Katie Melua: The Flood
Woah! Norah Jones and Katie Melua (who I often mix-up both in looks and music style) are really stepping out of the box with their new albums. From her new album The House, Melua ditches the irritating melodies of Nine Million Bicycles for a much more refined sound. It starts off all dramatic with strings which sound rather beautiful, like it would work well for a soundtrack or something. Then halfway through, there’s a major change in tone, synths and electro beats start moving in and Melua suddenly sounds like Kylie, there’s even a slight psychedelic sound to it. I think Melua deserves Track Of The Week for giving us something truly innovative and different. I hope radio picks this up. 4.5 STARS

18. Laura Marling: Rambling Man
The shockingly talented and wise 20 year old Laura Marling returns with a new single, which like its predecessor Devil’s Spoke, shows wisdom and lyrical prowess well beyond her years. It sort of switches between parts that contain quiet and subtle vocals and parts that contain heavy acoustic guitars and Marling’s longing, rich vocals. Almost like folk-grunge (new genre).
It doesn’t quite have that wild, sinister feel that made Devil’s Spoke one of the best songs of the year but it isa song that should make up a pretty cohesive album. 4 STARS
Note to self: By Laura Marling’s album!

19. LCD Soundsystem: Drunk Girls
Well, isn’t this song charming. Lyrically clever and comical, this song is so easy to sing along with it. With a melody that you can bob your head along to and a shout-along chorus of Drunk Girls, I can imagine many people will be roaring out of tune along to this song at the next family occasion or house party. 3.5 STARS

20. Lemar: Coming Home
After the Top 10 success of The Way Love Goes, the first single from his first Greatest Hits compilation, Lemar is obviously trying to strike it lucky again with the release of the compilation’s second single. There is nothing original about this at all – it’s all very synthy and shiny with Lemar being all troubled about those pesky women again – but it lacks the strong hook that The Way Love Goes had. It’s still quite likeable though, Lemar’s deep soulful vocals make it so. I’d imagine this could be decent enough if you let it grow on you. 3 STARS

21. Lethal Bizzle featuring Luciana: Go Go Go
After a very loud and noisy intro, Bizzle raps about wanting Beyoncé and Alesha Dixon in his gruff rapping tone. Underrated dance diva Luciana provides the catchy chorus. Yes, I know we’re getting yet another party rapper who relies on a woman to sing the chorus but this is actually really really good. Mainly thanks to the instrumental which should go down a hit in clubs anyways. Could this be Summer 2010’s answer to Dizzee Rascal’sBonkers. 4 STARS

22. Michael Bublé: Crazy Love
Housewives will be fanning themselves while swooning, listening to the title track from Michael Buble’s most recent million selling album Crazy Love. Covering Van Morrisson’s classic was a wise choice for Bublé as most of his target audience will love this track. He sings it well, as per usual, his voice is commanding and smooth but nothing we haven’t heard from Bublé before. If you’re a fan, you’ll love this but this track won’t gain him any new fans like Haven’t Met You Yet did. 3 STARS

23. Owl City: Umbrella Beach
After satisfying and then irritating me with his breakthrough single Fireflies, Owl City is back with another melancholy tune over electro beats. While it lacks the catchy nature of its predecessor, give Umbrella Beach a chance, because it’s actually quite a little gem. Granted Adam Young a.k.a. Owl City’s emo whispers are kind of annoying but with lyrics about underwater ferris wheels against a backdrop of bouncy, epic and surging synths and island percussion beats, Owl City is successful in transporting the listener into another World. It’s quite a Summer tune really but expect it to annoy you after a few weeks. 3.5 STARS

24. The Pretty Reckless: Make Me Wanna Die
Gossip Girl’s Taylor Momsen wants to be a credible artist, guys. And how to do that – develop a mildy punkish attitude, mimic P!nk and get yourself a band. Make Me Wanna Die is actually rather good though, Momsen has the same husky vocals as P!nk and The Pretty Reckless are actually pretty good instrumentalists, providing some grungy instrumentation for this angsty number. They actually sound like a watered down version of Hole. I’m a sucker for angsty female rockers though so its only natural that I’d love this – I do think, based on this lead single though, that many other people will have place in their heart for The Pretty Reckless. 4 STARS

25. Rammstein: Haifisch
The second German band to impact the UK release schedules this week, they obviously must have a following over here as this song is sang completely in German. Lead singer Till Lindemann’s deep throaty vocals are actually rather hilarious but the industrial metal band are strangely engaging – I can’t tell why. Maybe I’m just an industrial metal fan and I don’t know it yet. Anyways this gets… 4 STARS

26. We Are The Fallen: Bury Me Alive
Meet Evanescence 2.0 – former Evanescence founder Ben Moody, former members Rocky Gray and John Le Compt, random bassist Marty O’Brien and former Irish American Idol finalist Carly Smithson – together they make up We Are The Fallen. Their debut single Bury Me Alive is so 2003 – it hurts. Well, I thought 2003 was the Golden Year for 21st Century music and this is no exception. Featuring crunching guitars, swooping strings, icy piano melodies and Carly Smithson sounding eerily like Amy Lee in the first two lines of the song before taking on a more Kelly Clarkson vibe to her voice as the song reaches its devastating climax, this is no Bring Me To Life or Going Under. However, no-one has managed to do mainstream goth-pop so well since Evanescene’s first album Fallen so I welcome We Are The Fallen despite their unoriginality and hope there’s a place for both them and Evanescence in the industry. With Evanescence (basically Amy Lee and her guitar playing slaves) promising to go in a more alternative electronic direction with their next album, We Are The Fallen can be a good bout of nostalgia to how great Evanescence were in 2003. 3.5 STARS

So that’s it. Comments and feedback as usual, please? I promise the next Singles Reviews Diary will arrive sooner – but be warned it will be a Eurovisiony one – but also a Musey one! 🙂