Singles Reviews Diary 15 – 14th May 2010

Another week of singles, another week of reviews. Sorry it’s a bit late – I’ve been quite lazy the last few days.

Singles Reviews Diary 15 – 14th May 2010:

01. Alexandra Burke featuring Pitbull: All Night Long
Despite a #1 album, a #1 single and another Top 10 hit, Alexandra’s success as the winner of
The X-Factor seems to be eclipsed somewhat by fellow contestants JLS and the fact that there’s a new ‘hot’ female artist every week. Thankfully, All Night Long is the most instant hit from Alexandra’s debut album. While previous singles Bad Boys and Broken Heels were pretty hit and miss, All Night Long is a song that makes you want to instantly jump on the dancefloor with it’s hypnotic seductive bassline, Alexandra’s smooth and commanding vocals and its catchy chant-along chorus. The song has a beautiful euphoric feel to it also. However, this has tampered with somewhat by the addition of a rap from Pitbull. This does nothing to help the song and the album version of this track would have done just as well. I guess Alex is just desperate to crack the American market. However, Pitbull’s verse is pretty ignorable so the song still remains a pleasurable listen, especially after a few shots at the bar. 4 STARS

02. Amy Macdonald: Spark
The talented Amy Macdonald might have scored a #4 album in the UK with her sophomore album
A Curious Thing but lead single Don’t Tell Me That It’s Over peaked at a disappointing #48. This single doesn’t look like it’s going places either, sadly. Despite a powerful chorus and some Snow Patrol-esque guitar work, Spark kind of paints Macdonald as a one trick pony. Maybe because I was a massive fan of her debut This Is The Life but Spark just sounds like so many other songs she’s done before, one of the many songs from the album that sort of sees one Amy Macdonald song blend into the other. Spark, however, is a decent single amongst an album of lacklustre material.3 STARS

03. Atari Teenage Riot: Activate
German bands are obviously all the rage this week with this being the first of the nation’s band to release a single this week. This is a pretty aggressive house punk track. Nothing particularly original but should be enjoyed by some.
3 STARS

04. Band Of Skulls: Death By Diamonds And Pearls
Britain’s answer to The White Stripes is back with another single from their album
Baby Darling Doll Face Honey. I know I shouldn’t make comparisons as often as I do but this sounds like some decent filler on a White Stripes album. In other words, it’s no Seven Nations Army, more a plodding garage rock track that doesn’t go anywhere. Band Of Skulls, of course, are capable of producing much greater tracks – Friends and I Know What I Am being perfect examples so I wouldn’t worry about releasing the odd lacklustre single now and then. 2.5 STARS

05. B.o.B. featuring Bruno Mars: Nothin’ On You
My current favourite rapper B.o.B. releases his debut single over here. With a soothing, Summery mid-tempo production and some romantic croon from the Jason Mraz-like Bruno Mars, this is the perfect single to release for this season. In fairness, B.o.B.’s rapping isn’t anything extraordinary (despite some witty verses about a girl who pays her taxes and comparing their romance t a Nintendo 64.) and like many rappers these days, depends on a guest vocalist for his singles. However,B.o.B. is showing that hip-hop has a future beyond rapping about shawties gettin’ down in a club and he firmly picks up the reins from the increasing quiet yet innovative Andre 3000.
4 STARS

STINKER OF THE WEEK!
06. Boyzone: Love Is A Hurricane
“One step forward and two steps back”
These are two lines of the chorus that sum up this song perfectly.
Gave It All Awaymight have been a fairly bland ballad but at least it sort of fit in with the Boyz adult contemporary sound in a Take That kind of way, Love Is A Hurricane is dated and as naff as the video which would put JLS to shame with the amount of skin exposed and cheesy choreography (except at least JLS can dance). It’s more up-tempo and catchy than what we’re used to hearing from and many disagree with me, believing its better than Gave It All Away. Whatever! Once again, Boyzone fail to live up to the standards of their ‘rivals’ Take That in making good quality music since their return. 2 STARS

07. Chemical Brothers: Swoon
Taken from new album
Further, the intro to this experimental electronica track faintly reminds me of the Skins theme tune, composed by Fat Segal. Swoon is a strong comeback single from the British duo that is sure to keep their many fans happy. It’s nothing new from them exactly but why fix it if it ain’t broke. 4 STARS

08. Chiddy Bang: Truth
After delighting with their sampling of MGMT’s
Kids on previous single The Opposite Of Adults, Chiddy Bang are at again with their second single Truth, this time sampling Passion Pit’s Better Things. The song works thankfully due to Chiddy’s rapping and the slightly euphoric dance sound taken from the Passion Pit song. However, I don’t think their sampling works as smoothly as it did last time and does their over-reliance of sampling affect a long term career in music for the duo? I think so because people are likely to get bored of it quick. 3 STARS

09. Duke Special: Wanda, Darling Of The Jockey Club
The very talented and innovative Duke Special is back with another 1940s inspired gem. This piano laced ditty is actually a pretty nice toe-tapper, made all the more interesting by Duke Special’s Northern Irish tinged accent.
4 STARS

10. Ellie Goulding: Guns And Horses
Now that
Starry Eyed is being played on an irritatingly sickening level on radio, it’s great to see that Ellie has a new single out. Guns And Horses is probably my favourite track on Ellie’s debut album Lights, mainly because it injects a very agreeable folk sound into her music and ditches the Auto-Tune which made the formerly good Starry Eyed so unbearable now. Her distinctive vocals won’t be for everyone but there’s a lot of longing and emotion in them so it should keep fans happy. I hope Ellie will do something a little more folky for her next album because I really really like this track and could listen to a whole album of similar sounding tunes to this one. 4 STARS

11. Glee Cast: Jessie’s Girl
One of my most favourites tracks from the 1980s – Rick Springfield’s Grammy Award winning
Jessie’s Girl is absolutely butchered by Cory Monteith’s Finn this week. The instrumentation is pretty much identical to the original so that’s a good thing but Finn’s breathless vocal delivery of the song just doesn’t work at all. I know the song fits with the storyline but how about having – maybe Puck or even Artie – to sing the song instead because that was underwhelming. I’ll tell you why Rachel (my future wife Lea Michelle) doesn’t want you Finn, it’s because you’re standing in front of her singing but looking like you want to take a dump on the floor with your constipated facial expressions. Not cool, man. 2.5 STARS

12. Glee Cast: The Lady Is A Tramp
Now, this is more like it. The Puck character (Mark Salling) gets a chance to sound like a modern day Humphrey Bogart in the jazzy 1937 show-tune cover, only to be joined by the soulful Mercedes (Amber Riley) towards the end. What we get is something the right side of retro, love it.
4 STARS

13. Glee Cast: The Boy Is Mine
I had forgotten how good R&B heavyweights Brandy and Monica’s
The Boy Is Mine was and it’s brought to justice by Mercedes and Santana (Naya Rivera), who I think we get to hear sing for the first time solo. She has an excellent R&B voice, nothing that could blow Riley’s vocals out of the water but still pretty strong. The two girls’ vocals blend well together. 4 STARS

14. Glee Cast: Rose’s Turn
Could Kurt (Chris Colfer) be the best male singer in
Glee? I think so. In this theatrical number taken from the play Gypsy: A Musical Fable, Kurt vents out all the anger and emotion at his father in what is a very good performance full of building tension. It could be the best song in Glee this week. 4 STARS

15. Glee Cast: One
The closing number this week for
Glee is a cover of One by U2 (or U2 and Mary J. Blige). Unlike with Jessie’s Girl, Finn gives it all with his constipated vocals and if you don’t watch the video, he actually sounds very strong and powerful. Rachel is also very good as usual and Mercedes jumps into throw some of her crazy ab-libs. Joined by the rest of the harmonious cast at the end, the cover manages to convey a lot of emotion but doesn’t have that goosebump feeling you get when listening to Don’t Stop Believin’or Like A Prayer. Still a very strong effort. 4 STARS

16. Gorillaz featuring Gruff Rhys and De La Soul: Superfast Jellyfish
I’m so annoyed no video has shown up for this single yet. This is a fantastic follow-up to previous Track Of The Week
Stylo sees the Gorillaz joined by Super Furry Animals Gruff Rhys and critically acclaimed rapper De La Soul as they satirise commercialism in the developed World. It’s all a bit daft really but while many found Stylo lacked any real chorus or hooks, Superfast Jellyfish is probably the most infectious song on Plastic Beach. All three collaborators shine here – Gruff Rhys with his goofy deep cartoonish vocals, De La Soul with his confident raps and the Gorillaz themselves with their relaxed, nonchalant chorus all amongst a backdrop of aquatic bouncy synths and sampling of an American commercial from the 1980s. Now bring on the video already! 4 STARS

TRACK OF THE WEEK!
17. Katie Melua: The Flood
Woah! Norah Jones and Katie Melua (who I often mix-up both in looks and music style) are really stepping out of the box with their new albums. From her new album
The House, Melua ditches the irritating melodies of Nine Million Bicycles for a much more refined sound. It starts off all dramatic with strings which sound rather beautiful, like it would work well for a soundtrack or something. Then halfway through, there’s a major change in tone, synths and electro beats start moving in and Melua suddenly sounds like Kylie, there’s even a slight psychedelic sound to it. I think Melua deserves Track Of The Week for giving us something truly innovative and different. I hope radio picks this up. 4.5 STARS

18. Laura Marling: Rambling Man
The shockingly talented and wise 20 year old Laura Marling returns with a new single, which like its predecessor
Devil’s Spoke, shows wisdom and lyrical prowess well beyond her years. It sort of switches between parts that contain quiet and subtle vocals and parts that contain heavy acoustic guitars and Marling’s longing, rich vocals. Almost like folk-grunge (new genre).
It doesn’t quite have that wild, sinister feel that made
Devil’s Spoke one of the best songs of the year but it isa song that should make up a pretty cohesive album. 4 STARS
Note to self: By Laura Marling’s album!

19. LCD Soundsystem: Drunk Girls
Well, isn’t this song charming. Lyrically clever and comical, this song is so easy to sing along with it. With a melody that you can bob your head along to and a shout-along chorus of
Drunk Girls, I can imagine many people will be roaring out of tune along to this song at the next family occasion or house party. 3.5 STARS

20. Lemar: Coming Home
After the Top 10 success of
The Way Love Goes, the first single from his first Greatest Hits compilation, Lemar is obviously trying to strike it lucky again with the release of the compilation’s second single. There is nothing original about this at all – it’s all very synthy and shiny with Lemar being all troubled about those pesky women again – but it lacks the strong hook that The Way Love Goes had. It’s still quite likeable though, Lemar’s deep soulful vocals make it so. I’d imagine this could be decent enough if you let it grow on you. 3 STARS

21. Lethal Bizzle featuring Luciana: Go Go Go
After a very loud and noisy intro, Bizzle raps about wanting Beyoncé and Alesha Dixon in his gruff rapping tone. Underrated dance diva Luciana provides the catchy chorus. Yes, I know we’re getting yet another party rapper who relies on a woman to sing the chorus but this is actually really really good. Mainly thanks to the instrumental which should go down a hit in clubs anyways. Could this be Summer 2010’s answer to Dizzee Rascal’s
Bonkers. 4 STARS

22. Michael Bublé: Crazy Love
Housewives will be fanning themselves while swooning, listening to the title track from Michael Buble’s most recent million selling album
Crazy Love. Covering Van Morrisson’s classic was a wise choice for Bublé as most of his target audience will love this track. He sings it well, as per usual, his voice is commanding and smooth but nothing we haven’t heard from Bublé before. If you’re a fan, you’ll love this but this track won’t gain him any new fans like Haven’t Met You Yet did. 3 STARS

23. Owl City: Umbrella Beach
After satisfying and then irritating me with his breakthrough single
Fireflies, Owl City is back with another melancholy tune over electro beats. While it lacks the catchy nature of its predecessor, give Umbrella Beach a chance, because it’s actually quite a little gem. Granted Adam Young a.k.a. Owl City’s emo whispers are kind of annoying but with lyrics about underwater ferris wheels against a backdrop of bouncy, epic and surging synths and island percussion beats, Owl City is successful in transporting the listener into another World. It’s quite a Summer tune really but expect it to annoy you after a few weeks. 3.5 STARS

24. The Pretty Reckless: Make Me Wanna Die
Gossip Girl’s Taylor Momsen wants to be a credible artist, guys. And how to do that – develop a mildy punkish attitude, mimic P!nk and get yourself a band. Make Me Wanna Die is actually rather good though, Momsen has the same husky vocals as P!nk and The Pretty Reckless are actually pretty good instrumentalists, providing some grungy instrumentation for this angsty number. They actually sound like a watered down version of Hole. I’m a sucker for angsty female rockers though so its only natural that I’d love this – I do think, based on this lead single though, that many other people will have place in their heart for The Pretty Reckless. 4 STARS

25. Rammstein: Haifisch
The second German band to impact the UK release schedules this week, they obviously must have a following over here as this song is sang completely in German. Lead singer Till Lindemann’s deep throaty vocals are actually rather hilarious but the industrial metal band are strangely engaging – I can’t tell why. Maybe I’m just an industrial metal fan and I don’t know it yet. Anyways this gets…
4 STARS

26. We Are The Fallen: Bury Me Alive
Meet Evanescence 2.0 – former Evanescence founder Ben Moody, former members Rocky Gray and John Le Compt, random bassist Marty O’Brien and former Irish
American Idol finalist Carly Smithson – together they make up We Are The Fallen. Their debut single Bury Me Alive is so 2003 – it hurts. Well, I thought 2003 was the Golden Year for 21st Century music and this is no exception. Featuring crunching guitars, swooping strings, icy piano melodies and Carly Smithson sounding eerily like Amy Lee in the first two lines of the song before taking on a more Kelly Clarkson vibe to her voice as the song reaches its devastating climax, this is no Bring Me To Life or Going Under. However, no-one has managed to do mainstream goth-pop so well since Evanescene’s first album Fallen so I welcome We Are The Fallen despite their unoriginality and hope there’s a place for both them and Evanescence in the industry. With Evanescence (basically Amy Lee and her guitar playing slaves) promising to go in a more alternative electronic direction with their next album, We Are The Fallen can be a good bout of nostalgia to how great Evanescence were in 2003. 3.5 STARS

So that’s it. Comments and feedback as usual, please? I promise the next Singles Reviews Diary will arrive sooner – but be warned it will be a Eurovisiony one – but also a Musey one! 🙂

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Singles Reviews Diary 6 – 12th March 2010

It’s getting even earlier and earlier…but I have my reviews for singles being released on Monday this week. Cos I’ll most likely be busy. It’s a whopping 37 singles I’ll be covering this week (all though not all of them will be major releases).

As per usual, here are my thoughts on all major singles being released next week on:

Singles Reviews Diary 6 – 12th March 2010:

01. All Time Low: Lost In Stereo
Nothing remotely original about this at all, but if you’re like me and into you’re uptempo emo cuts, you’ll love this.
2.5 STARS

02. Ash: Dionysian Urge
I only continue to review/mention singles from Ash’s
A-Z Series because I’m pedantic and can’t bare to leave them out. This is Single Letter L so there’s still a bit to go until Ash finish this project and hopefully release something a little more hyped up. If you like Ash, then you won’t mind spending 99p/99c on this single. 3 STARS

03. Band Of Skulls: I Know What I Am
A big stomping garage rock tune from the up and coming British rock band. It has a great chorus and if radio picks it up, it could be a big hit for the group.
4 STARS

04. Black Eyed Peas: Imma Be
Seeing as the futurtastic
Imma Be Rockin’ That Body mash-up video seems to be getting a nice amount of airplay on the music channels, there is a small chance this song might chart in its own right. Really, its probably a good thing that this song is only being officially released over in North America, because this wouldn’t be an ideal single on this side of the Atlantic. This song is very hit and miss. Like previous hit My Humps, you’ll either find this very catchy, very irritating or both. The BEP repeat the words Imma Be about 100 times throughout this song, they show off some urban swagga, send out messages of positivity (yet again!) and the whole thing has that schizophrenic quality that a lot of tracks on The E.N.D. have, changing tempo about 3 times throughout. If you like what you hear, then get downloading. If not then, don’t.2.5 STARS

05. Black Eyed Peas: Rock That Body
The Black Eyed Peas go all Daft Punk on this David Guetta produced track. While not instantly accessible or poppish as
I Gotta Feeling and Meet Me Halfway, this pulsating electro tune is rather brilliant. Definitely one of the better songs to dance to in a club, this single fits best with The E.N.D.’s futuristic theme. My only concern is a lack of normal voiced Fergie (she been swallowing far too much helium on this song) but the Black Eyed Peas seem to be unstoppable this year with everything they touch turning to chart gold. 4 STARS

06. Cheryl Cole: Parachute
Like
Fight For This Love, this sounds terrible at first. However, after a few listens, this quickly infiltrates your brain until you don’t mind hearing it anymore. I wouldn’t give it 5 stars but this is a pleasant enough listen. Good stuff although ironic at this for Mrs. Cole/Ms. Tweedy. 4 STARS

07. Chris Brown: Crawl
Poor old Chris. Is his career on the downfall because of what he did to Rihanna or is it because his latest LP
Graffiti a substandard bland affair. Good points out of the way first, this has a lovely sparse intro and the strings are suitably dramatic. The video is also rather good too. But this is a ballad that is so generic, so bland, so lacking in any identity with its lyrics and vocals that any R&B singer could have pulled it off. I know I’d much rather listen to Jason Derulo sing this song. 4 STARS

08. Chris Brown featuring L.A. The Darkman: In My Shoes
As well as promoting
Graffiti, Brown has also released the mixtape In My Zone. As you’d expect, this just sounds like an underground version of I Can Transform Ya. Chris sings about a girl with a nice ass and a skinny little waist. Wow, Chris you’ve convinced us all, you’re so ghetto. L.A. The Darkman shows up for the customary rap.1 STAR

09.Craig David: One More Lie (Standing In The Shadows)
For his new album
Signed Sealed Delivered, Craig David will sample old Motown classics and give them a modern twist. On this new single from the album, he delivers by sampling The Funk Brothers Standing In The Shadows over some ravey production. To be honest, I’m done with Craig David. I don’t like his voice and I don’t like any of his new material. This is okay, I can’t see it being a huge hit. 2.5 STARS

10. Delphic: Halycon
The Teens Decade’s (2010-2019) answer to New Order return with this brilliant new single. Like their criminally underselling previous single
Doubt, this takes a few listens to reach its full catchy potential. Hopefully this charts better than Doubt. 4 STARS

11. Drake featuring Lil Wayne and Young Jeezy: I’m Goin’ In
I really like Drake. I really don’t like crude slimy Lil Wayne and horse voiced Young Jeezy. They make an otherwise underground solid hip-hop track less enjoyable.
3 STARS

12. Drake: Over
After months of releasing mixtapes and appearing on other peoples’ records, Drake releases his first proper single from his first proper album. Things look promising with this track, a moody and brooding “fuck you” to all his detractors. Despite cracking the Top 30 in the US, this is more alternative but the wonderful production should see it get some mainstream attention.
4 STARS

13. Elaine Doonan and Pete Fagan: Haiti Child
Another week, another Haiti single. This is a nice yet unextraordinary live acoustic cover by little known Irish singers.
2 STARS

14. Erykah Badu: Window Seat
Wow just discovered this girl and wow she is good! With lovely silky vocals and a smooth R&B production, she sounds like a modern day Macy Gray.
4.5 STARS

15. Glee Cast: Don’t Make Me Over
Jennifer Hudson Junior is perfect for this retro styled cover of the soulful Dionne Warwick track. A great way to start of this week’s episode Hairography.
3.5 STARS

16. Glee Cast: Papa, Don’t Preach
Again, another epic cover by the Glee Cast. Pregnant Cheerleader is perfect for this acoustic cover of Madonna’s 1986 smash. Her voice works so well with this song.
3.5 STARS

17. Glee Cast: Imagine
The Glee Cast are on a roll this week, this is an actually amazing heartwarming cover of the John Lennon classic.
5 STARS

18. Glee Cast: Bootylicious
Glee goes Destiny’s Child with this karaoke rendition. Probably the weakest cover in this week’s episode.
2.5 STARS

19. Glee Cast: True Colors
The Quirky Girl With The Fake Stutter gets her chance to shine with her cover of Cyndi Lauper’s
True Colors. Its perfectly fine but Quirky Girl hasn’t a very distinguishable voice. I would have much preferred if she cover “Puh-puh-puh-poker face, puh-puh-puh-poker face”. 3 STARS

20. Glee Cast: Hair/Crazy In Love
This is another amazing mash-up by
Glee and it features my two favourite characters – The Wheelchair Guy and Jennifer Hudson Junior. It’s brilliant and is the most likely tune to break the chart next week. Hairography is an episode you do not want to miss. 4.5 STARS

21. Groove Armada featuring Will Young: History
Very ’80s and very good. I must go out and buy Groove’s new album
Black Lightsoon…and I recommend you do too. 4.5 STARS

22. Jamie T: Emily’s Heart
Jamie T is a wonderful songwriter and this single from sophomore album
Kings And Queens showcases that perfectly. Sounds a bit like The Streets. 4 STARS

STINKER OF THE WEEK!
23. Justin Bieber and Sean Kingston: Eenie Meenie
I was going to award Stinker of the Week to Justin Bieber’s other song but I decided that this promo single is even more dire. This is a joint collaboration from the tween…sorry teen…heartthrob and the irrelevant Jamacian singer/rapper. Built around the juvenile “Eenie Menie Minie Mo” rhyme, Sean and Justin sing about an “eenie meenie mo lover” (sounds explicit for someone whose not legal yet) and refer to her as “shawty” throughout the song. Yeah guys, cos ye are so tall. This song is terrible. Terrible. Boring R&B. Has a Summery vibe but still crap. Has to be heard (for free) to realise how terrible it is.
1.5 STARS

24. Justin Bieber: Baby
I have nothing personal against the Biebmeister but if he continues to release such generic R&B junk, I’m gonna keep up my criticisms. This, for me, is worse than
One Time. The chorus is just a lazy man’s way of being catchy, repeating “Baby” over and over again. Justin’s voice also sounds weak on the chorus. Ludacris turns up to spit out some uninspired verse about his tweenhood. Can I ask why cool rappers like Ludacris and Drake (who appears in the video) want to hang around with a bunch of 15-year-olds? Like come on! 2 STARS

TRACK OF THE WEEK!
25. Lady GaGa featuring Beyoncé: Telephone
GaGa might be pretentious and fond of using gimmicks but you can’t deny her talent, creativity and her knack for writing some amazing pop songs. This will hopefully be GaGa’s fourth Number 1 in the UK. Originally written for Britney Spears, it’s a good thing GaGa held on to this for herself because only she could pull off the restrained harp backed intro and outro, the speedy club friendly production and sirens, the countless number of hooks and the fast paced verses. Beyoncé almost steals the show with her raspy verse, but after her being the lead artist on their last collaboration
Video Phone(which was a real stinker), it’s only right that Lady GaGa shines on this much better offering from the pair. 5 STARS

26. LIGHTS: Ice
Yes! A brand new find! A much cooler, female version of Owl City. LIGHTS is a one woman band who writes and plays her own New Wavey electropop tunes. Sounds like a bit like
Blackout Britney. 4 STARS

27. Major Lazer featuring Vybz Kartel: Pon De Floor
This combines rave and dancehall quite effectively. Great production but we’ve heard it all before.
3 STARS

28. Michael Bublé: Cry Me A River
Housewife favourite Michael Bublé returns with the second single from his crazy selling album
Crazy Love. The intro to the Canadian crooner’s new song is epically dramatic and his voice is very powerful but this ballad doesn’t really go anywhere. Could be a nice James Bond theme. 2.5 STARS

29. Paloma Faith: Upside Down
Paloma changes pace with the third single from her brilliant debut album,
Do You Want The Truth Or Something Beautiful? After teary eyed ballads like Cold Stone Sober and New York, this is a much more lively track from the multi-talented soul artist. 4 STARS

30. Rod Stewart: (You’re Love Keeps Lifting Me) Higher And Higher
Rod Stewart releases this solid but really unnecessary cover of the Jackie Wilson classic. Rod Stewart fans will lap it up but for everyone else, this will hardly be a blip on your radar.
1.5 STARS

31. Rowetta Howett: Beautiful Lies
Anyone remember Rowetta? Nope neither did I! She got to the Final 9 (yup, it was the Final 9 as opposed to the Final 12 back in those dark days) of the first ever series of
The X-Factor. She was also the first to be knocked out of those live finals. Her debut single is actually rather nice, nothing out of this World. Showcases that she has talent though. 3 STARS

32. Rox: My Baby Left Me
Much like Noisettes
Don’t Upset The Rhythm (Go Baby Go!), this could be a massive crossover hit if it gets enough airplay. A super catchy soulful indie track! 4.5 STARS

33. Skepta: Bad Boy
A slicky produced grime track. Much like Rox, this could be a massive crossover hit. Much better than Tinie Tempah, in my opinion.
3 STARS

34. Snoop Dogg: Rida Man
Snoopie samples the
Spiderman theme in this novelty promo single. I like it but its nothing amazing. 3 STARS

35. Snoop Dogg: I Wanna Rock
A solid old skool hip-hop track that samples Rob Base and DJ E-Z Rock’s 1988 song
It Takes Two. It Takes Two is popular this week has the Black Eyed Peas have also sampled the song for Rock That Body. But while Black Eyed Peas shoot to the future, Snoop sticks to keeping the song in the past. 3 STARS

36. Three 6 Mafia vs. Tiësto featuring Flo Rida and Sean Kingston: Feel It
Wow, I’m pleasantly surprised that a song featuring my “two favourite artists” Sean Kingston and Flo Rida could be so good. Thanks to Tiesto’s fast paced production, this is a great club banger and driving song combined. Love it!
4 STARS

37. T.I.: I’m Back
T.I.’s comeback from prison song. I like T.I.’s so I won’t knock this too much but we’ve heard this kind of track from him (and many other rappers) many times before.
3.5 STARS

38. Timbaland featuring Bran’Nu: Meet In Tha Middle
Timbaland continues to release promo singles from his poor selling
Timbaland Presents Shock Value II album. This is a really great rap track and has that old skool feel of some of his earlier tunes. Brandy (of Moesha fame) also shocks by unleashing her rapping alter ego Bran’Nu and she’s just fantastic at it. One of the few artists who can rap as well as they sing. 3.5 STARS